Another year goes by and another Nocturnal Wonderland is in the books. The 2011 event was one of…read morethe best of my life and the 2012 edition didn't fail to impress either! The music was loud, the lights were intense and the mood was just right! People from all across the world venture to Apache Pass to enjoy this event, which is considered one of (if not the) best EDM festivals in the south, and the confluence of people make for a spectacular event.
This year saw a few changes from the last few years. The Sunken Temple stage was brought across the river and placed on a faux-pirate ship that blasted fire from its main mast, when the beat was just right, of course. The heat from the pyrotechnic monstrosity could be felt from the farthest regions of the seating arena. Mostly comprised of local and rising acts, this "chill" area ended up bumping much harder than many expected. This is clearly a result of the blossoming central Texas EDM scene. The natural bowl of the surrounding hill made this an ideal location to take a seat, catch your breath but still maintain a constant stream of bass rich sounds that can do nothing but soothe the soul.
The Upside Down Room was the main attraction for many this year. If you're a fan of Dubstep or Drum and Base, this was most likely where you were positioned for the majority of the evenings. Acts such as Borgore, Mt Eden, Datsik, 12th Planet, Pendulum, Chase and Status, Cookie Monsta, and even local up and comer Skrause rocked this bass heavy stage which saw a significant improvement in its light set up this year. Nicely tucked in the woods towards the rear end of the park, this location truly felt like a bass cave who's walls came to life with every hit of the bass and every gust of the wind. The atmosphere was spectacular. The energy was high and everybody was grooving, easy access to refreshments and restrooms made this one of the best areas in the entire venue.
One of the main attractions every year is the giant pyramid stage that is better known by most as the Queen's Ground. This year the stage was taken over by a wave of house that had the ground hopping around for the entire weekend. Top notch lighting and screens made this the most visually impressive stage of the year. All of the acts had incredible shows but the ones delivered on the Queen's Ground had a special look to them. Puffs of smoke, shots of pyrotechnics and high resolution imagery made this area a spectacle in itself, let alone when accompanied by world class musicians. Talent like Tïesto, Hardwell, Sebastian Ingrosso, Steve Aoki, Calvin Harris, Dillon Frances and Morgan Page kept the kids dancing from the moment they entered the grounds till the second the last amp was turned off. If you're a house head, you couldn't go wrong here!
The Labyrinth is the largest stage and it definitely saw its fair share of talent as well. Playing home to more bands this year, this stage also has some amazing lights and sound production. There were a full range of acts in the Labyrinth ranging from STS9, AWOLNATION and Chromeo to Eoto, Röyksopp, Lotus and Nero. There wasn't a taste that couldn't be satisfied on this stage. Large viewing areas made the ability to stretch out and dance a breeze. This stage brought out the weird, it brought out the bass....it brought out everything you could want it to and much more. One of my favorite stages of Wonderland, I saw some great acts here and loved the openness that the Labyrinth constantly offered. I could even see this stage from my campsite across the street. Talk about being a happy camper...
Some of the visual attractions many have come to love were not in attendance this year. The visual art is one of the greatest aspects of the festival and I know many were disappointed in some of their absences. The tunnel of lights, the floating diamond and lightning cage were all not in attendance. Being fan favorites, I heard constant griping about this during my trip into the rabbit hole. I really hope Insomniac brings those back next year. The addition of the giant mirrored mushrooms was cool but they would do well to bring back those other attractions patrons of the event have come to know and love.
Security was no joke at the event. Hats/shoes were checked, pants were shaken and pockets were emptied. The road into the festival reminded me something out of a dystopian book, flooded with police and pulled over vehicles. Only sealed packs of gum and cigarettes were allowed into the event and every ticket was scanned with an electronic device to check its authenticity. If you were planning on sneaking in, good luck, the perimeter was crawling with security clad in, far from tactical, bright yellow shirts. I do know some people who managed to get backstage without a special pass, that goes to show you how well some of them did their jobs.
Overall, great job Insomniac! Another year in the books and another fantastic experience! Can't wait for next year!