I recorded many audio (and some video) productions here when the studio was run by Ty and Colin. In…read morethose days, the operation was tight and highly professional (if you were willing to ignore the ever-present stench of weed). Sadly, when the studio changed hands, the professionalism evaporated. In February 2024, I scheduled time in the podcast studio to shoot a Streamyard video. The engineer, Gabe B., showed up an hour late looking like he'd just crawled out of bed. Furthermore, his mic set up was so incompetent that it sounded like I had recorded the audio on a 1980s Radio Shack tape deck. I might as well have done the Streamyard video on my back porch. Foolishly, I decided to give these guys another shot. I reserved the podcast studio for last Friday, clicking [YES] on all the confirmation emails. I showed up at the appointed time to find the studio closed. I called only to get voicemail. I waited 15 minutes, but the engineer (Zach D) never showed up. Avoid this place like the plague.

Have been bumping into studio over charging or not even sending my music in a timely manner…read more.. digilab is fast professional and Collin is great at his job!!! All the equipment is state of the art and the mic and quality are crystal clear!! Will definitely be back! The location is perfect and all engineers are professional and knowledgeable!

I had an awesome time at Cosmic Soup today recording. The studio is very homey, a great vibe AND…read morehas all the bells and whistles. Jeremy is a really good and creative sound engineer. I so appreciated his support. He made me feel really comfortable! I highly recommend this studio. I normally record in L.A. I'll definitely come back to Cosmic Soup. Looking forward, actually!

This is super legit! Jeremy does a great job, is casual enough to ease your nerves, yet very…read moreprofessional. The end result is definitely very professional! The studio is behind his house so just look for the driveway that heads that way. We also appreciate his feedback and help in creating our voiceover demo and subsequent audition recordings. He's also open with advice to build our home studio when we are ready. Thank you Jeremy! We love Cosmic Soup Recording!

Just finished an amazing ADR session with Jim for my second short film. All I can say is, if you…read moreneed anything recorded or mixed (movies, commercials, music, don't matter), hire him! I was blown away by not only his knowledge, expertise, and dedication to his craft, but his humor and warm personality too. His home studio is superb; clean and professional. He literally has everything he needs to get the job done right. And that's what I loved about working with Jim: he's as fixated on getting it right as I am. He will not produce mediocre work. I 100% recommend him for your project, I know I'll be using Soundwaves again. Thanks, Jim!!

This is hands down the best recording studio in Arizona for many reasons. First and foremost, the…read moreowner and engineer James (Jimmy Boy) Linton, is one of the most genuine kind hearted men I've had the privilege of working with. He cares about your opinion, takes time to connect with your vision and will do anything it takes to make sure our product is stellar and you leave feeling 100% happy. Soundwaves not only helped me grow as an artist, but Jim had helped me develop as a man through his years of wisdom and experience in this industry. Soundwaves will always be my first home!

It took me a long time to decide to write this review, because while some of my experiences with…read moreSteve were great, other times the service was awful. I will give you both sides and you can decide whether or not you want to work with him. I am a singer-songwriter who brought music files to Steve to edit. Once we got the instrumental tracks smooth and in sync, we recorded my vocals. His equipment was superb, much of it made by him to exacting specifications. And, from what I have learned about microphones--including how I sound after using several different ones--I think that the custom one he built was first-rate for my voice. Don't, however, expect a professional atmosphere. Steve records in the living room of his house; and during the time I was there, we had to work around a young baby and a dog. If it's summer, he turns off the air conditioning (because the compressor makes noise); so if you record during the summer months be prepared to sweat. A lot. The best part of the experience was learning how to edit my vocal tracks with ProTools. Steve encouraged me to get the artist's version so I could do the editing at my home, saving money and getting the vocals exactly the way I wanted them. He was generous with his time teaching me how to use the program to edit vocals, and I will always appreciate this. If you're waiting for the major "but," here it is. Most of the problems arose around the mix. It took Steve four months to give me ten songs. He procrastinated, rarely communicated in a timely manner, and in fact acted annoyed that I would even dare to call him to ask about the status of the project. In retrospect, I could tell he really didn't want to mix the album. He should have told me this straight out, instead of leaving me hanging. After four months and about twenty-four hundred dollars poorer (of course my money was not refunded), I was less than happy with the mixes. I brought the files elsewhere whose engineer--who had much more experience with my style of music and also teaches recording at a university--immediately made the piano and guitar sound better. In a few hours, this other engineer did better than Steve had in four months. One major problem was the condition of the files. Somehow Steve had combined time changes (which I had requested) with unwanted key changes. He didn't label the files so you knew what they were. And instead of one instrumental line or one vocal line, various portions of files were in pieces all over the place. The other engineer had to spend extra time getting the files in shape (and, rightly so, charged me for it). One song was ruined to such an extent that I was unable to use the guitar track (which I had already paid for). I had to record other instruments for this song all over again, as well as the vocals which had been recorded too "hot" and were not useable as there was distortion. I have no doubt that Steve is gifted (he spent a fair amount of time telling me that he was, and I did see at least one award he earned). However, he's probably much better doing work solo, such as soundtracks that other studios send him for absolute final revisions. Steve had given me a price break because I was doing an entire album; but there was always the caveat that he'd cancel my session to do work on, say, a movie soundtrack that brought him a much higher fee. Ultimately, considering the money I threw away for a mix I couldn't use, and the extra money I had to pay the new engineer to get my files in workable shape, I probably didn't end up saving a whole lot. If you're a singer-songwriter and not a major studio (which pays Steve a lot more), you should probably look elsewhere. I found Brick Road Studio much more suited to my needs.

second time collaborating with Steve 30-45 mins thank you so much professionally speaking to a…read morenovice consciousness rapper experimental vocalist creator engineer producer indy artist via SoundCloud and Voloco and voice memos thank you for being patient and sharing knowledge insight through love for music. look forward to publishing my first song with you to Apple Music Spotify and Youtube Music and from there creating an album minimum 5 songs. no mumble rap ‍ ps: s/o young Stanley ttyl (72hours) (3rd base - hot corner / pitcher - heirophant )

amazing facility and owner! Louis is a dope producer who can help bring your music and artistic…read morevision to life!

From the owner: Bar 4 Bar Creations is a non profit for the community youth. We teach the youth about how to use a…read moremusic studio. From composing to mastering we will touch on all subjects and will also teach etiquette in the studio.