My two girls have been dancing here since they were two (in Mommy & Me class). I was careful about choosing a studio, as I come from a performance background and I know how cutthroat the dance world can be. I was looking for a few things in particular and have been extremely pleased with HDA. Specifically, I was looking for:
1) Choreography and costumes that are age-appropriate. I have a huge problem with the sexualization of young children and I'm happy to say that I have never seen a child at HDA in anything that made me uncomfortable. (So, no five-year-olds twerking in bikinis.)
2) Promoting healthy body image. The dance world (ballet in particular) notoriously pushes dancers to be unhealthily thin. I have never heard of a dancer at HDA being told that they needed to look a certain way in order to dance and I've been happy to see dancers of all sizes and shapes in lead roles over the past several years.
3) Camaraderie among dancers. I have no patience for petty, backstabbing meanness. Dance does have a competitive element to it when it comes to coveted roles and I know how ugly behavior can stem from jealousy. I'm not quite sure how she's done it, but Jennifer has managed to create an environment where the students all genuinely cheer for each other, the older students nurture the younger students, and the younger students admire their leaders.
4) Performance opportunities. I think that publicly putting yourself out there -- in any way, on stage or in a business presentation -- is one of the most terrifyingly vulnerable things someone can do, which is why it's a skill that is good to develop at a young age. HDA finds a way to include even their youngest dancers in their productions (e.g., Reindeer in "The Nutcracker," mice in "Cinderella," guppies in "The Little Mermaid," etc.), which is not true of some other studios in the area.
5) Excellent training. Finding a studio that emphasizes good technique is extremely important, as ballet is the foundation for so many other kinds of dance. My oldest daughter (11) started en pointe this year and I will say that the evaluation to see if she was physically ready was excellent. The studio also encouraged us to see a doctor if we were hesitant, who also gave the green light. And quick note: starting en pointe doesn't mean immediately doing pirouettes in the center. The class moves slowly to properly develop the technique. On the other side of this, both of my girls have repeated dance levels in the past because the instructors didn't feel that they were physically ready to move up. I appreciated that they were looking out for their development and, while my daughters were disappointed, it gave them extra incentive to work toward improving in certain areas so that they would be ready to move up the following year.
6) Nurturing teachers. The fastest way to burn out is to hate going to class. That's never been the case for my daughters at HDA. Starting in the Young Children's Program, the classes are so much fun and so joyful. It really did instill a love of dance early on. Moving into the upper level classes, I see the instructors correcting and challenging the dancers, but never with a hardened rigidity that I've observed elsewhere. Each instructor has their own style, but the constant is the care that they show each dancer as a human being -- and how much they love to teach.
I found one studio that had everything on my list: Hinsdale Dance Academy. I haven't been disappointed. Dance at HDA has given my girls confidence, a strong work ethic, opportunities for leadership, and a spirit of sisterhood. They have learned to overcome obstacles, to deal with disappointment gracefully, and the exhilaration that comes with obtaining a long-term goal. I highly recommend it. read more
