Montgomery Civil Rights Walk of Freedom Self-Guided (GPS) Walking Tour…read more As a retired 20-year veteran who grew up during the Watts Riots, I've seen a lot in this country--but I can honestly say this experience gave me something I didn't know I was missing. Taking this walk through Montgomery alongside my younger brother made it even more meaningful. We lost our mother early in life, so moments like this--where we can learn, reflect, and grow together--carry a different kind of weight. This wasn't just a tour for us; it was a chance to connect with each other and with a history that wasn't fully taught to us growing up. Hearing the stories of Dr. Martin Luther King Jr. and Rosa Parks while standing where it all happened brought a level of understanding I never got in school. It filled in gaps and gave voice to experiences that shaped not only the country, but generations like ours. The self-guided format allowed us to take our time, have conversations, and really absorb what we were learning. There was no rush--just space to reflect, remember, and appreciate how far we've come and how much more there is to understand. For me, this was more than history--it was personal, it was healing, and it was something I'm grateful I got to share with my brother Mark.

We visited the Legacy Museum on Jan 8, 2026 as part of Road Scholar's "The Civil Rights Movement -…read moreAtlanta, Montgomery, Selma, Birmingham" program. It is one of the three Equal Justice Initiative (EJI) Legacy sites in Montgomery, AL, and one of the two where photography is not allowed. The latter was emphasized at the security checkpoint, of which there was only one line. I surrendered my foldable (smartphone) tripod to the staff, and would later do it two more times at the other two sites. Within the exhibition halls, staff members are positioned every 100 feet (give or take) to ensure visitors are on their best behaviors, i.e. no photography, no vandalism, etc. The transatlantic slave trade is the subject of the first two halls, with the first focusing on the transits of the captured from Africa. Sets of pictorial, written and video content fill every wall. There is no particular order of viewing. The next hall continues with the arrival, transactions and transits from ports to new colonies in the New World. Life-sized models of slaves naked and in chains act as passageway that visitors pass to move on. Despite being previously informed, I did not understand the sheer volume of the museum's content. I stopped to read every content in detail because of the no-photography policy. By the time I was done perusing the transatlantic slave trade, more than 30 minutes had passed. One section consists of small rooms designed to look like prison cells, each showing a brief holographic projection of a moment in the life of a slave. These projections are triggered by motion sensors. Another hall focuses on federal and state court decisions - most of them ruling against African-Americans - as well as numerous hate crimes and other (violent) racial injustices, all of which that had occurred since Reconstruction. Past that is a larger hall that displays copies of newspaper ads of slaves for sale on one side, and life during Reconstruction on the other. I had started to peruse the latter when I realized that I was approaching two hours in time spent in the museum. Deciding to head on to the other two sites, I was surprised to discover many more sections - including an art gallery - and the volume of content in each that I would miss. The Legacy Museum requires up to a day to truly appreciate its treasure. It is certainly worth visiting given its low admission price ($5 as of Jan 2026). However, I do not give this 5 stars because of the unnecessary security checkpoint to do the boat ride from Boat Launch at 101 Morris Street to Freedom Monument Sculpture Park, and vice versa. See attached image for further details At 12:56pm, after visiting the National Memorial for Peace and Justice (NMPJ), I showed up at Boat Launch. There was a security checkpoint. I was told to turn over my tripod before getting on the boat. The big, burly bespectacled guy in the suit claimed that tripods could be used to vandalize the sculptures, and I could take the boat back and to this pier to get it back. He gave no explanation as to how a tripod would be a hazardous or dangerous object on a boat ride itself. The Sculpture Park has its own security checkpoint where I would turn over the tripod, and I wasn't planning on coming back to this pier just to pick up my tripod. It would be a waste of time. So I waited for the shuttle to take me back to the Legacy Museum after stopping over at NMPJ. When I finally arrived at Sculpture Park, 45 minutes of my time was wasted. This limited the time spent there. There was no necessity to have security checkpoint at Boat Launch when Sculpture Park has its own security checkpoint. Until EJI Legacy updates their policy to one that makes sense, this EJI site gets no more than three stars.

This is the best museum we have seen on our civil rights tour so far. Lots of movie clips…read moreintegrated with the exhibits so sitting alternates with standing and listening and watching alternates with reading. Take the Time machine ride in the children's wing first if you possibly can. And watch for references to all the women leading the movement that we often don't hear about.

We visited Troy University's Rosa Parks Museum in Montgomery, AL on Jan 7, 2026 as part of Road…read moreScholar's "The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham" program. As the name indicates, this museum is entirely about the titular civil rights icon. Tickets were covered by our program. We spent less than an hour here, in part because we got two other sites to visit in our day's itinerary. Our tour guide informed us that photography was not allowed inside the exhibition rooms. (Judging by the content on this business listing, that didn't stop other visitors from taking photos.) In the first room, we saw a short film that summarizes the segregation in Montgomery prior to Parks' historic act. After that, we went another room and were standing in front of a bus modeled after the one that Parks boarded and refused to give up her seat. The bus's windows serves as screens for another short film that re-enacted the historic moment. The dialogue is boosted by surround sound all over the room so that visitors could feel what it was like at that moment. After that, we went into the third and final room of exhibits showing what happened after Parks' arrest and its impact on the Civil Rights Movement. I recalled life-size figures, a model of a 1950s car and dimmed lighting. (Many thanks to Lulu Wang and her article "Rosa Parks Museum: Take You Back to 1955, Montgomery, AL" in medium.com for helping with my recollections.) The museum is clearly focused on Rosa Parks the civil rights icon, but not Rosa Parks the person, family member and human being. To my recollection, there was little mention about her life before and after the bus boycott (and the larger Civil Rights Movement). Nor was there a mention of the asteroid named after her: 284996 Rosaparks. I learnt about that from a "Doctor Who" episode (series 11, episode 3, titled "Rosa"). I don't recall if the exhibits mention of Parks' prior encounter with the bus driver James Blake 12 years earlier. After paying her fare at the front entrance, she tried to enter through the back entrance. But Blake drove off without her. Some accounts claimed that she refused to board. It'd be nice to know what's the museum's take on that incident. Of the three Montgomery mini-sites about the Civil Rights movement - the other two being the Civil Rights Memorial Center and the Freedom Rides Museum - the Rosa Parks museum is the smallest in space and content, and the only one that does not allow photography. I was the least happy with it. It's certainly worth the visit if done in conjunction with the Civil Rights Memorial Center and the Freedom Rides Museum, both of which are within walking distance. In addition to that, go see the Rosa Parks statue at the Rosa Parks Bus Stop on Court Square, which is also within walking distance.

There are some places you visit, and then there are places that stay with you. The National…read moreMemorial for Peace and Justice is one of those places. Opened in 2018 by the Equal Justice Initiative, this memorial honors more than 4,400 African American men, women, and children who were victims of racial terror lynchings between 1877 and 1950. It tells a story that is painful, sobering, and absolutely essential to confront. As you enter, the experience is quiet and intentional. Steel rectangular monuments are arranged by state and county, each engraved with the names of victims and the dates they were killed. At first, the columns stand at eye level. You can look directly at the names. But as you continue walking, the ground gradually slopes downward and the columns begin to rise above you. It is impossible not to understand the symbolism. The markers are roughly human-sized. As you descend and look upward, they resemble bodies suspended overhead. That realization hit me deeply. The weight of it -- the scale of it -- settles into your chest. It is heavy. It should be. Along the walls, detailed plaques explain the circumstances behind many of the lynchings. Some victims were murdered by mobs of hundreds or even thousands. Some were killed for reasons so trivial and unjust -- accusations, perceived slights, even something as simple as having a photograph of a white woman. You quickly realize how little it took, and how terrifying daily life must have been for Black Americans living under that constant threat of violence. Near the exit, there is a waterfall installation representing the countless undocumented lynchings -- lives lost that may never be fully known. It is a quiet but powerful reminder that even this memorial cannot capture the entire scope of the tragedy. Outside, each hanging monument is duplicated and laid flat across the grounds. This allows visitors to read each name more closely. I deeply appreciated this thoughtful design choice. Every name is treated with dignity and equality. As you walk among them, you may notice multiple names from the same county on the same date -- entire acts of mob violence frozen in steel. Further along, sculptures and signage from various states and counties acknowledge the history and efforts toward reconciliation. The Equal Justice Initiative encourages each county represented to claim its monument and publicly confront its history. Many have begun to do so. Many still have not. The memorial asks visitors to be respectful and to stay off the grass. There are restrooms available on site. Everything about the space is orderly, intentional, and reverent. This is not an easy place to visit. It is not meant to be. But it is profoundly important. If you are in Montgomery, this is a must-visit. It provides critical context for understanding why the end of slavery, Reconstruction, and the Civil Rights Movement were not just historical milestones -- but moral necessities born from immense suffering. I would give this memorial 10 out of 5 stars if I could. Go. Walk slowly. Read the names. Remember.

We visited the National Memorial for Peace and Justice (NMPJ) on Jan 8, 2026 as part of Road…read moreScholar's "The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham" program. It is one of the three Equal Justice Initiative (EJI) Legacy sites in Montgomery, AL, and the only one where photography is allowed. Like with the other two sites, security checkpoint is present and I surrendered my foldable (smartphone) tripod. While the Freedom Monument Sculpture Park has a collection of artwork in a park setting, the entire area of the NMPJ can be seen as a single artwork of many sections, like the long wall mural in Dexter Ave Baptist Church (also in Montgomery; within walking distance from the Legacy Museum). The first section of NMPJ is a large grassy area bordered by walkways, wall-mounted written content on the subject of "from slavery to lynching". and the Nkyinkyim Installation sculpture. I don't know if picnics or napping on the grassy area is allowed. I didn't ask. Walking from this area to the next section took time. The next section, being the memorial temple, is the highlight of NMPJ. An open structure that houses numerous tall tablets resembling coffins. Each tablet bears the names of county and state, followed by the names of lynching victims and their respective dates of death. Initially, the tablets look like they are resting on the floor. At the center of the temple is a grassy square accessible from multiple points. Standing at the center of the square, the visitor can see the sheer masses of deaths memorialized within the temple. (Photos and footages are found on my YouTube channel @1Somber. Look for video title "Day 5: National Memorial for Peace and Justice, Freedom Monument Sculpture Park" in playlist "2026-1: The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham".) At one end of the structure, the path turns right to a corridor that slopes down. I then realized that the tablets are hanging from the ceiling. When the corridor reaches the bottom level, the tables are hanging over my head. Mounted on opposite walls are panels, each mentions the known "justification" for the victim's death. Why only the bottommost area of the panel is used is a mystery. I hope in time more names will be added to these panels. The final wall has an inscription draped by a waterfall states that the "victims of racial terror lynchings... whose deaths cannot be documented... whose names will never be known... are all honored here." Leaving memorial temple, I came to Monument Park. In this area, the tablets take on the shape and size of coffins, and lay on the ground rows after rows on the left and the right of the walkway. Like the tablets at the memorial temple, each bears the names of county and state, followed by the names of lynching victims and their respective dates of death. After Monument Park comes the "Guided By Justice" sculpture, and then Community Park. Tablets shaped like signposts line up in a single file to one side, and act as shoulders for the visitor walkway. Each has written details of specific lynchings. I followed these "signposts" and arrived at the "Arise" sculpture. The path then leads back to starting point. Visitors can either go for another round or leave. Our tour guide said that a visit at the NMPJ can be done in 45 minutes. I say, "Take all the time you want." The patrolling staff is sparse and there's no hurry. The $5 admission price covers all three EJI sites. Although I appreciated the NMPJ, particularly capturing a considerable amount of photos and footages, I do not give this place 5 stars because of the unnecessary security checkpoint to do the boat ride from Boat Launch at 101 Morris Street to Freedom Monument Sculpture Park, and vice versa. See attached image for further details. At 12:56pm, after visiting the National Memorial for Peace and Justice (NMPJ), I showed up at Boat Launch. There was a security checkpoint. I was told to turn over my tripod before getting on the boat. The big, burly bespectacled guy in the suit claimed that tripods could be used to vandalize the sculptures, and I could take the boat back and to this pier to get it back. He gave no explanation as to how a tripod would be a hazardous or dangerous object on a boat ride itself. The Sculpture Park has its own security checkpoint where I would turn over the tripod, and I wasn't planning on coming back to this pier just to pick up my tripod. It would be a waste of time. So I waited for the shuttle to take me back to the Legacy Museum after stopping over at NMPJ. When I finally arrived at Sculpture Park, 45 minutes of my time was wasted. This limited the time spent there. There was no necessity to have security checkpoint at Boat Launch when Sculpture Park has its own security checkpoint. Until EJI Legacy updates their policy to one that makes sense, this EJI site gets no more than three stars.

Take your time and read everything you see here. Learn why some of us make an uproar about…read moreinequality and our country's substandard justice system. Understand why Kap took a knee. Realize that this country belongs to everyone and not just the elite. This country has no place for hate and places like this help teach that, but only if you're willing to listen/read and learn. Anji was seated at the cashier's desk at the end of my tour. She is so friendly! She made a great final impression on a tour that had already made a significant mark on my soul. I'm so glad I visited this place. Kudos to you, SPLC.

We visited the Civil Rights Memorial Center in Montgomery, AL on Jan 7, 2026 as part of Road…read moreScholar's "The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham" program. As the name indicates, it's a memorial and not a true museum. Tickets were covered by our program. We spent less than an hour here, in part because we got two other similarly small museums to visit in our day's itinerary. At the entrance of the Center is a security screening. We were directed to line up in rows. The security guard was friendly. He nicknamed me "Big T" since my name started with "T". I replied, "I wish I was big." To which he went, "Me too," and we both laughed. Row by row, we went up to the counter to surrender our personal items prior to the screening. The guard allowed me to keep my belt on even though the buckle is metal. Then each of us went through the screening. No issues encountered. We were then joined by a museum guide. The first section is the Martyr Room, dedicated to the 40 that were killed during the Civil Rights Movement. Collage of photos and individual profiles positioned at eye level filled every wall. There is a console in the middle of the room for visitors to learn more. A short while later, we were led to the Orientation Theater where we watched a short film called "Apathy is not an Option". It started with a highlight reel of the Movement and connects it to contemporary events of social justice. After that, we continued on to "The March Continues", a hallway of murals depicting contemporary social justice. The end of the hallway leads the "Wall of Justice" room. On one wall is a large, wide screen with names of people involved in civil rights through the ages, set to a photo of - presumably - the Selma March. By the opposite wall are inscribed quotations from historical figures, including one from Robert Kennedy (Sr.) during a trip in Cape Town, South Africa in 1966. The best was saved for last. We arrived at the Memorial table to see water literally flowing down onto its surface where the names of the 40 are etched. The artwork is indeed magnificent. Footage is in the video "Day 4 & Day 5: Civil Rights Memorial Center, Legacy Plaza, Legacy Museum" on my YouTube channel, in playlist "2026-1: The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham". If it was up to me, I'd spend a few minutes more in the Martyr Room. It has the most content of all the sections. Overall, the Civil Rights Memorial Center is a good, albeit modest-sized center. It is worth the visit if done in conjunction with the Rosa Parks Museum and the Freedom Rides Museum, both of which are within walking distance.

We visited the Freedom Rides Museum in Montgomery, AL on Jan 7, 2026 as part of Road Scholar's "The…read moreCivil Rights Movement - Atlanta, Montgomery, Selma, Birmingham" program. As the name indicates, this museum is entirely about the numerous Freedom Rides from May to December of 1961. Its contents include maps, background information and related events. Tickets were covered by our program. We spent less than an hour here, in part because we got two other sites to visit in our day's itinerary. Gracing the entrance to the museum is the floor mural of people grouped between "FREE" and "DOM", and shaped in the form of a bus. Once inside the museum, "Mapping the 1961 Freedom Rides" - to my left - shows all the rides mapped out from point A to point B. Past that is "Separate and Unequal" that briefly describes what life was like "Traveling While Black". Opposite from that is "From Bus Station to Museum". It traces the timeline from the Freedom Rides to the founding of the museum, and includes different editions of the Green Book. The next section delves into the Freedom Rides themselves. "Movement Making" (organizing and planning), "You Don't Have To Ride Jim Crow" (boycotts and civil disobediences), "Faces of the Movement" (numerous individuals that participated in the Rides, "The Rides Continue" (despite violent oppositions). Footages of the exhibits are in the video "Day 4: Freedom Riders" on my YouTube channel, in playlist "2026-1: The Civil Rights Movement - Atlanta, Montgomery, Selma, Birmingham". Of the three Montgomery mini-sites about the Civil Rights movement - the other two being the Civil Rights Memorial Center and the Rosa Parks Museum - I was most impressed with the Freedom Rides Museum. We had barely enough time to see almost everything. I learnt a lot more than what I had thought. (I thought the Freedom Rides were a mere few and not many!) Due to lack of time, I did not visit the gift shop. I definitely recommend this museum if done in conjunction with the Rosa Parks Museum and the Civil Rights Memorial Center, both of which are within walking distance.

So much important history in one small building. Don't skip this museum. Tells the story of the…read moreFreedom Riders. The people who work there are incredibly kind and helpful.

So much history is simply demolished. Some cities, like Montgomery, have sites such as these that…read morereassemble these otherwise forgotten bits of bygone days. It's fun to ramble through these old buildings that are all quite well-preserved. If you have children, multiply the time you spend here by two or three or four.

January 12, 2013, Tony and I did a self guided walking tour of Montgomery, Al. We had a great day…read more The weather was warm and lovely. We happened upon this 6 block historical section of old homes in Montgomery, Al. There are new homes here. Here is a brief history of the buildings: Tour the Authentic 19th Century Village Today There are no facades or newly constructed buildings here! Our 19th century village features completely authentic 19th and early 20th century homes and buildings that have been saved from demolition, carefully restored, and reopened to the public as a history museum. At Old Alabama Town, you will learn how early Americans of all backgrounds lived and worked in Central Alabama. History lives at Old Alabama Town, where six blocks of authentically restored 19th and early 20th century structures beckon you to step back in time to the days of one-room... Self-Guided Tours We offer self-guided tours Monday-Saturday, 9 a.m. to 4 p.m. The last ticket is sold at 3 p.m., though visitors are free to explore until 4 p.m. Upon purchasing admission at the Old Alabama Town Reception Center, guests will receive a property map to guide them on their walking tour of our Living and Working Blocks. Visitors are free to explore at their own pace and leave and return throughout the day. Costumed interpreters are available on each block to answer questions. A fully guided tour of the Ordeman House is also included in general admission. Tours of the Ordeman House are available Monday-Friday at 10 a.m., 11 a.m., 12 p.m. and 1 p.m. Ordeman tour times are subject to change without notice. Call 1-888-240-1850 on the day of your visit to confirm times.

This is a cute place that is very fun for small children. It is educational and also interactive…read more It is worth visiting. I have been twice and the people working there have always been very nice and friendly. One thing to keep in mind is that it is pretty small, so I would combine it with checking out some other sites or museums in the city.

Not a museum, it's the Alabama Cattlemen's Association's public outreach. Like an interactive…read moreadvertisement for the ACA and why we should all eat beef. That said, it's fine. It's free. I'm not sure I learned anything about cows, but I learned a fair amount about the ACA. I learned that every breed of cow has their own association. Angus cows have the American Angus Association, but the AAA doesn't like red cows, so red Angus cows are protected (promoted? recognized?) by the Red Angus Association. If that sounds good, cool. It's easy & free. It just isn't really a museum about cows.

If you're a Fitzgerald fan, this museum is a must-visit when in Montgomery. Visiting the area on a…read moreweekend, it's also one of the only places in the city open on Sundays. Admission is $5 and no need to reserve online. Walk in and the woman who leads the house museum gives an overview of Scott and Zelda and the house. The house itself has a few rooms with lots of artifacts from the authors. There also an art room of Zelda's work and one dedicated to Scottie, their only daughter. The top floor has two Airbnb rooms- one called Zelda and one Scott.

Really cool museum and historical location. I came here to do a paranormal investigation with…read moreSouthern Ghost Girls on 6 June 25. It was a fantastic event. We got a lot of time to explore the museum and had some cool things happen that make me believe the location is in fact haunted. You can rent the bedroom suites on the second floor as air bnb. I think that's pretty cool too!

Wonderful experience! The staff was extremely thoughtful greeting us with cold water bottles at the…read moredoor. They were very patient with our 5 and 7 year olds who asked so many questions that were answered thoroughly. Thank you for being one of the highlights of our historic trip!

This was a true gem! We thoroughly enjoyed touring this beautiful home and chatting with one of the…read morecurators. The furnishings are beautiful and appropriate to the period. We were stunned to learn that the house was moved to its current location in 1921!!!

I had visited the museum and memorial when they first opened and was blown away then. Now, the team…read morehas really built up a learning and honoring enterprise that everyone should visit. The sculpture garden and the boat ride to it are beautifully organized and provide space for reflection and learning at your own pace. Relying on the shuttles is your best bet to not have to back track. Make sure you know the shuttle schedule and routes ahead of time, though, so you don't get too delayed.

We visited the Freedom Monument Sculpture Park (FMSP) on Jan 8, 2026 as part of Road Scholar's "The…read moreCivil Rights Movement - Atlanta, Montgomery, Selma, Birmingham" program. It is one of the three Equal Justice Initiative (EJI) Legacy sites in Montgomery, AL, and one of two where photography is not allowed. Like with the other two sites, security checkpoint is present and I surrendered my foldable (smartphone) tripod. As the name indicates, the FMSP has a collection of sculptures, as well as monuments and restored (to original condition) habitats. Greeting visitors at the entrance is "Brick House" (by Simone Leigh). You can take pictures of everything within the entrance so long as you remain outside; once you step in, photography is no longer permitted. The staff will tell you so. In fact, the staff had told me so at least twice when I tried to sneak a photo shot while inside. That didn't stop other visitors from taking photos of various artwork and posting them here. My walk through the park was (sadly) devoid of visual records until I arrived at the National Monument to Freedom. If you are an art connoisseur, you'll enjoy the FMSP the most (out of the three EJI sites). The artwork is sheer beauty, albeit painfully crafted (no pun intended). Each is unique. Yet together, they collectively express the same message. The quality of the artwork alone makes everyone of them deserving of all the recognition (by cameras). The National Monument to Freedom is located near the end of the part trail. The staff informed me that photography from here onwards is permitted. In this respect, the FMSP is slightly better than the Legacy Museum. After the park, I headed to the visitor center. No prohibition of photography whatsoever. In front of the entrance is a statue of Harriet Tubman standing on a raised rock, holding a star with her right hand reminiscent of the Statue of Liberty, and looking down at a young girl kneeling by the rock and looking up at her. Inside the visitor center, there are consoles for visitors to know more about the subject matter, paintings on the walls, and a theater screening a documentary. I did not find out the title but it showed two individuals recounting anecdotes about slavery. It took me about 40 minutes to get through FMSP. An art connoisseur would spend considerably more time. I would appreciate it more if photography was permitted because all the artworks deserves maximum recognition. Like the other EJU sites, I do not give this place 5 stars because of the unnecessary security checkpoint to do the boat ride from Boat Launch at 101 Morris Street to FMSP, and vice versa. See attached image for further details.