Stanford Repertory Theater is great. Its productions are first rate, led by the really creative,…read morefun, intelligent, Rush Rehm. It's super affordable given the quality of their performances. I've seen everything from Euripides and Orson Welles ("Moby Dick - Rehearsed") to this summer's excellent, rich, and mind-expanding Naomi Wallace production, "Slaughter City", and soon "Waiting For Lefty." Although the Rep doesn't have the reputation of Yale or some of the New York theaters, and it's not as big as ACT in SF, it's just as good if not better. I'm so glad Stanford supports this drama program to help balance out all of the new, new, cutting edge, science and technology of Silicon Valley.
Take "Slaughter City" for instance, playing now (for a couple more days). It's about human work, and history, and desire. Written in the 1990's, it's set in a spare and creatively staged slaughterhouse to examine labor and the centuries old tension between workers and bosses. Who gets the power and how, who pays and how? And true, maybe we're not slaughterhouse workers, but someone does that work for us, while we do other work, as surgeons or programmers, say. Maybe we're not subjected to physically bruising work conditions, but don't we have aches and pains from sitting 8-12 hours a day coding or typing or managing? We might also reflect on these labor struggles wonder about the future of work with automation. The play is also about history, with surreal and poetic moments that trace labor's perennial indignities and tragedies, the ghost of the Triangle ShirtWaist Fire, for instance, indentured through time to the ruthless "capitalist" who takes on the guise of "Sausage Man".
So here's a play about labor, and power, and history, but it's also about desire. Oh, desire. Maybe these workers desire something simple -- a car -- a Ford or a Chevy. A young man desires an the older woman, and another woman is drawn to a woman dressed as a man. What does the manager desire in making his workers grovel and all of us squirm? When it's hot these characters desire cold, when it's cold they need warmth, when they can't breath they need air, and when they know they're going to die? They just want a few more minutes to live. What is it about desire that pushes humans to endure so much?
All of this in a 90 minute production in an intimate theater where no seat is a bad seat. TV shows can't beat it for dramatic thought-provoking timeless entertainment, and all those shows borrow, steal, and reference classic theater. The Stanford Rep also has an amazing summer symposium that's amazing and totally worth attending. I do wish they sold season tickets.