I visited the Tate Modern for the first time earlier this month when I visited London for a few…read moredays with my husband.
The Tate opened in 2000, but a new building opened in 2016. The museum is located in the former Bankside Power Station, and the museum's Turbine Hall is an incredibly large and open space (but I did wonder why they don't utilize the space to display any large sculptures since it's such an enormous and unused space). It's a striking space, it's one of the largest museums of modern and contemporary art in the world.
It's free to visit, but exhibits may have a cost unless you're a member of the museum. When we visited earlier this month, they had three exhibits: Frida: the Making of an Icon (though January 3, 2027); Ana Mendieta (through January 17, 2027); and Julio Le Parc: Light. Color. Action (through May 3, 2027). The Frida exhibit costs 25 pounds, the Mendieta 18 pounds, and the Le Parc 15 pounds. That means that if you wanted to visit all three exhibits, it would cost 58 pounds a person which is, I think, outrageous. I couldn't justify spending that much, so I picked one exhibit - the Frida exhibit - and then just explored the free galleries after our visit to the exhibit.
The Frida exhibit (which was organized in collaboration was the Museum of Fine Arts, Houston) was interesting. I've been lucky enough to see much of Frida Kahlo's works before in Mexico and Texas. But the exhibit included many works I had never seen before, and it also included works by artists that were friends or contemporaries of Frida Kahlo and Diego Rivera and works by artists that were inspired by her. The inclusion of "Fridamania," the transformation of Kahlo into an icon, image, brand, made the exhibit different from other Frida exhibits I've seen. The exhibit was extremely crowded - but you have to expect that with an exhibit like this!
I found the museum a little confusing to navigate, but we just wandered for the time that we had. Some of the works that really struck me were pieces by Gerhard Richter (the Cage paintings), Belkis Ayón, Sam Nhlengethwa, Carl-Henning Pedersen, Alberto Giacometti, David Hockney, Salman Toor, Mark Rothko, and more.
The museum is definitely worth visiting, but I just didn't love it as much as I expected. Since it's free, I'm sure I'll be back to explore more of the permanent collection another time, but I did find it a little difficult to navigate and thought the exhibition admission prices were prohibitively expensive.