I would also like to warn other filmmakers against submitting to this festival. I attended the 2024…read moreNMFF and found the entire experience unpleasant. First off, some transparency, for this year's festival, it was a 2 day festival. The first day was entirely digital (presenting accepted submissions online for ticket buyers to watch), and the second day was in person (movie theater viewing of another batch of submissions that lasted roughly an hour to an hour and a half of actual content to watch.
If you take into account the 32 different categories they accept, and the very little time that the festival actually has to present those accepted submissions, you get a clear idea of what this festival is after. Here's a list of all the categories you can submit to (as of this post):
ANIMATION any length, AR, AI, ER, 5D, XR, UHD, HDR, ART, Children, DIGITAL COMICS any length, DOCUMENTARY any length, DRONE, FAITH and FAMILY, FEATURE LENGTH - Media over 30 minutes, GAMES/ Gaming, METAVERSE, MIXED REALITY, MOBILE/TABLET any length, Music Only - NO VIDEOS, MUSIC VIDEO any length, NEW MEDIA any length, NFT, Photographs Only - NO VIDEOS, PILOT any length, PITCHING, PODCAST, SCRIPTS, Script Feedback - add on to Scripts category only, SHORTS any length, SR - SOCIALLY RESPONSIBLE any length, STEAM-Science, Technology, Engineering, Art, Math any length, STUDENT any length, TRAILER under 3 minutes, TELEVISION, VIRTUAL REALITY & 360, WEB SERIES any length.)
It doesn't take a brain surgeon to piece together that a festival casting such a wide and unspecific net is more focused on taking your submission fee than by offering anything in return.
The festival itself was incredibly disappointing. During the screening itself, which was at LOOK Cinemas in Glendale (a fine chain of theaters), the films shown were 90 percent trailers, which came as a shock to every festival attendee I spoke to. There was no direction or focus in the programming, or in the curation/order of the content, or in the event as a whole. After a "technical malfunction" halfway through the screening, we as the audience became witness to the Laptop Desktop screen that was playing the films. No DCP playlist (which I'm 100% sure the theater would've provided a technician for), and not even a mixed or mastered level of volume across the films (resulting in some film trailers being incredibly quite and some incredibly loud, which then resulted in shouts from the audience to turn the volume down). The films were being cued up, double clicked, and shown from a folder on a PC, which also meant that the larger trailer files (like mine and many others) BUFFERED the ENTIRE way through, resulting in skipping/lagging images and unsyncd audio!
You have only to ask yourself, if the festival director cares this little about the quality of even presenting the work, then clearly she cares so little about the quality of the work itself or the quality of the festival. I was legitimately dumbfounded after my feeling of utter insult faded away.
Oh also, someone messed up and clearly didn't QC any of this, because 1 of the film trailers was in an unsupported file format and so couldn't be played on the laptop. And another, which was programmed, wasn't even there at all to be played! A fact we as the audience and the festival director came to realize in real time as we watched her fumble through folders on her laptop to try and locate the file (resulting in shouts from the audience "try DRIVE E, no down, DOWN, TO THE LEFT, DRIVE E, LOCAL DRIVE E, TRY THAT OTHER FOLDER". The file was never located. I had not drank enough wine for any of this.
Also the "Q&A" which she "moderated" was as tacky as everything else. Really hard hitting, thoughtless, insightful questions like "what was your inspiration when starting this project?", "what's a one word piece of advice you'd give to another person starting their project?". These questions were written down on a piece of paper, but clearly she didn't count how many questions she'd need because when she ran out of pieces of paper, she started from the top again and started the questions all over again! "what's a one word piece of advice you'd give to another person starting their project?".
I could literally go on, but now I'm tired and should be working.
The level of disrespect for the craft of filmmaking and creativity was personally insulting, and the unprofessional quality and rudeness (in basically all email exchanges, and frankly in some of the director's Q&A banter) as well as the shoddiness on display during festival, leads me to feel personally like I was taken advantage of as a submitter. There's clearly no other conclusion one can make than that the New Media Film Festival is a scam, meant tot take your money and run and give nothing back.