I have been a patron of Metropolis for as long as I can remember, starting with the influence of my…read moregrandpa and grandma taking me to the children's shows. The quaint theater doesn't really have a "bad" seat in the house! They have programming that spans improv, musicals, classic plays, children's theatre, educational concerts, a capella, etc. They also have a performing arts school in which my daughter has taken classes and summer camps at. One star off because I wish they would do more accessible tickets e.g. rush tickets or lotteries. One of shows of the children from the school of the performing arts was, like, $20/person. Also, the Play that Goes Wrong was $50. I can see a Broadway in Chicago show for that price if you go about it utilizing the proper channels. I do not utilize the bar during shows, but they sell snacks, which are not allowed in the theater, and drinks, which are allowed in the theater.

Very disappointed we paid for seats and then was told first come first serve. So nit happy we…read morewaited in lobby thinking we had a say section 3 seat 7-8. So our seats we 3-4 , 5-6, 7-8. For three couples. Instead seat were saved and not together. Every one in this row thought the same. It was awful and birthday party like ours and they had to divide up as some couple sat between them. I see plays on the regular and not sure I would come back here. They cast only performed to the middle section. So it was not worth what we paid. I plan to take my friends to another venue next time.

I had a ton of fun watching a cover band here. Don't expect a mosh pit, the crowd runs a bit…read moreolder - ha. But everyone was in to it and having fun. The staff there were nice and knew what they were doing. I heard there was a speakeasy there but I didn't go upstairs to see it

This is a pretty nice venue! They've put in lots of work to restore this old theater and it shows…read more Seats are comfortable, decent leg room. Plenty of food and beverages to choose from. The service is fast and friendly too. Prices are not too bad either. About on par with other similar venues. There's a speakeasy two floors up, but we didn't check it out yet. I feel the sound could be better, but I know that's subjective and could be due to many variables. Anyway, check this place out! I think you'll like it.

This review is specifically about the facility, the Prairie Lakes Theater. It's adjacent to the…read morePrairie Lakes Community Center and I presume there's a connecting interior hallway between the two. The theatre is part of the Des Plaines Park District and what a great asset for the city. There are a handful of organizations that rent space for their productions here I think, amongst them Big Noise Theatre, which I learned about at a Park Ridge summer event and that's how I found out there's a great black-box theatre in the suburbs. They've hosted various arts companies, including dance and opera. They're also available for rent by other parties as well. Prairie Lakes has just under 300 seats and the sight lines are good; I don't think there are any limited view seats in the place. Seats were very comfortable too. Parking is ample, given its location, and free.

We returned to this nice and intimate theatre to see Big Noise Theatre's kids musical 'Elephant &…read morePiggie's "We Are in a Play!"'. It was a most delightful play, and this is when I learned that the Big Noise Theatre company rents space from the Prairie Lakes Community Theatre for their productions. I guess some previous reviews allude to this arrangement, but I never paid attention until today on what "theatre name" was appropriate here. In any event, we're now 2 for 2 on 5 star outings at this venue.

I went to watch Les Miserables by Schaumburg On Stage as I'd recently missed the national tour in…read moredowntown Chicago. Realizing that Drury Lane and Paramount had done their version a few years back and Marriott Theatre had done it a bit before that, I wanted to watch a live version in case I can't make the next big stop in Milwaukee. I watch quite a bit of theatre, both professional and amateur. Not sure why, but until this show -- I wasn't aware of Schaumburg on Stage which has been around since 2016. To my surprise, the quality of the production was similar in quality to other highly acclaimed groups like the District 214 all-district group (which recently did The Wedding Singer). Here were my thoughts on various aspects of the show: Staging: It really surprised me how many sets were used in the show and how they were fully functional. They were designed and painted well and items were hardly reused. They also did a very good job of quickly changing sets to make sure the showtime was kept to a reasonable length. Vocals: Two things I like about this. One is how they kept the complex harmonies -- which worked great in group songs. The overall balance lacked baritone and bass voices, but that's expected with younger actors. I also liked how they did not shy away from the challenge of the very high notes for male or female leads. They could have easily changed the key, but it's great to see them embrace the challenge. Orchestra: A bit smaller, not sure if it's due to space limitations or that's the way the school version is written. A bit more reliant on piano and common woodwind/string instruments than the full version. I did like how they played at a level not to overpower the vocals. Lighting and fog: I liked all the varieties of lights used. Not just in general stage lighting from the top, but also from lights on the side and spotlights. There were quite a bit of variations on lighting, which helped to tell the story. I did not like the excessive use of stage fog though, which tended to linger for more than a single scene. Overall, a great group to watch a show from. It's much better than the typical amateur group and prices are very reasonable. It's also great how they incorporate actors and actresses from all different ages and help them to build interest in theatre. Based on the quality of this performance, I can't wait to watch another show when they get a new digital microphone system.

The experienced people at SOS really see the value and potential in each kid. They are like family…read morein that they really connect and care, but they also hold the kids to a high standard and help them achieve it. This is definitely a step up from park district community theater in both production quality and experience.

We attended Trickery on Saturday 04/18/26. Aaron was adept at working with a diverse audience to…read moreinclude them and maintain control of his performance in a very intimate setting. Because it's BYOB you'll get the 20-somethings that feel they have to get loaded beforehand and then act the fool while attending (do you hear that "Neil"? No one wants the focus on you acting like it was your first experience with alcohol) but Aaron was skilled at bypassing them without causing tension or escalating bad behavior. Aaron's attitude is one of someone who has worked hard to make this little venture work, and he deserves respect and recognition for his obvious commitment and work ethic. His act included variations of tricks performed by other magicians, with his own twists. He is an expert at sleight of hand and distraction, which is considerably more difficult in a room about the size of an average residential living-room. He had an appropriate sense of humor aligned with an audience coming to Boystown, an overtly gay neighborhood in Chicago (if you're not familiar). However he wasn't garish, flaming, flamboyant, or offensive; he managed a perfect balance of innuendo humor and audience engagement without being cheap or ingenuine. The snarky one-liners will likely go over your young kids' heads (although bring them to an early show, your 9 year old doesn't belong in Boystown at 10 pm on a weekend), and he carries himself with class avoiding the use of profanity or graphic terms. Again, I can't overstate that his tricks were amazing, impressive, and captivating - as magic should be. You leave the show shaking your head and wondering how it's done - which truly makes it "magic". You would be hard-pressed to spend $36.36/person for an hour of live entertainment that can match Aaron's performance. Pro-tip: If you're driving there you will need to use an app to reserve parking, as there aren't garages like downtown Chicago and every street is filled with so many signs there's no way you will return and find your car not-towed or not-ticketed. Chicago does this on purpose to generate revenue; you'll see "street cleaning" on Tuesday from xx hour to xx hour, no parking when snow is over 2 inches OR any time from Dec 1 through April 1, loading zone, 15 minute stopping/standing with flashers, no parking, residential permit zone only, bike lanes, bus stop restrictions, etc. If you find street parking and think you've beaten the system, think again. Nobel Prize Laureates, Rhodes Scholars, Ivy League PhDs, Mensa members - you can meet them all at Chicago Central Auto Pound retrieving their vehicles. Stephen Hawking couldn't drive, but if he could and he parked in that neighborhood all the quantum mechanics in the world wouldn't make his towed car reappear from the Chicago Parking space-time continuum. The nice thing is if you do reserve parking and give yourself enough time you can walk to many, many restaurants and bars in the area that are open even after the 10 pm show ends. Thank you Aaron for a wonderful experience, you made my wife's birthday memorable for both of us.

I've attended this show twice now and really enjoyed it both times. It's always a great experience…read more He takes time to thank everyone for coming and even asks how you heard about the show, which makes it feel very personal and welcoming. He's genuinely nice and engaging. I plan to come at least once a year. I also love having a local, neighborhood option instead of having to go downtown to see similar acts.

Attended a production of Fiddler on the Roof here and I was pleasantly surprised. The setup of the…read moretheatre makes it so that no seat is really super far away from the stage and even the the left and right sections don't really skew your view too much although at times staging on the extreme edges might not be visible. The seats were a good size with better legroom than what I've seen as some other local community theatres. The building itself is setup nicely for hosting shows, with fairly wide hallways, furniture, and a good amount of restroom facilities. The production here that I watched was done better than average, with a good amount of costume and set changes that were designed fairly well. The sound was a good volume and in general the microphone volume management was pretty good, with only a few lines that were inaudible. The singing and dancing by the cast were also done quite well, with leads that performed their parts impressively. Overall, nice place to enjoy a show with reasonable prices and a nice community feel.

I went to the Northbrook Theater to watch their production of Fiddler on the Roof. This was a great…read moreproduction. The sound and stage, and scenery were all very high quality. The actors were tremendous. I think they will be ready for Broadway soon. I highly recommend Northbrook Theater. I can't wait to go back and see another show!

Nice clean, open theater for performances. The seats were decent - we at box seats to the right…read more Ticket prices were somewhat high for the type of venue and we had to get tickets through Ticketmaster so there are the extra fees involved. Called the box office and they were of no help in buying tickets for will call. We saw One Night in Memphis on Nov. 23. The performers were good, dedicated to playing their artists. The bad part of the theater? The sound - they cranked up the instruments and we could barely hear the performers sing. I felt bad for the performers trying to be heard over the drums and electric bass. Another downside was the lack of the ushers and staff with seating. It didn't seem to matter much where people sat as long as no one complains. Not sure this is good for honest people who pay for decent seats. When we got to our seats there was a couple already sitting in our seats. They claimed that the box office sent them to our seats because they got kicked out of their balcony seats. Without having an usher nearby, we had to take care of it ourselves. They begrudgingly moved to the next set of free seats in the box grumbling about how they should have stayed in their seats. The people with tickets to their relocated seats showed up and the balcony couple again claimed they were placed there by the box office because they were told to leave their balcony seats. They were finally moved by an usher. I noticed them sitting across the theater in the empty box seats, not balcony. I guess no one checks tickets. They must be pros knowing not to pay $75+ a ticket, but to pay a lot less for balcony and sit in premium seats because no one will check. Other than this irritating situation, the show was okay. Parking was easy and free which was nice. Overall, I think we'd be back only if there was a performer we must see, but we will not be paying for main or box seating prices. It's a small theater.

Clean and módem and parking lot. They sell snacks and drinks and have many typed of entertainment…read morehere like today they had the Red hot Chili Pipers ... Scottish bagpipers playing contemporary music and also music they wrotes.

What a gem! I pass the Oil Lamp Theater all the time, but never went. Purchased tickets for The…read moreOutsider during Chicago Theater Week and so glad I did! We are excited to attend more shows. When you first walk in, you're greeted by a hostess. There's a full service bar and various seating spots you can enjoy before and after the show and during intermission. The theater is cozy with 60 seats. They are moving across the street to a larger space, former Country Cobbler. Fun fact, I used to get my shoes there when I was a child. They are currently fundraising for the transformation. Check out their website to learn more. The Outsider was hilarious. The actors really brought this play to life. During this divisive political climate we are currently in, it was a refreshing perspective of politics and government. Everyone laughed throughout the entire show. I highly recommend checking The Outsiders out!!

I have never been to the Oil Lamp Theater before, but my parents treated the entire family to a…read moreshowing of It's A Wonderful Life: A Live Radio Play to cross it off of my bucket list. The parking was a little crowded for a Sunday night so my father dropped us off at the door and parked the car while we ventured inside. We got the warmest greeting from the person behind the desk who gave us instructions on how we could write our own shout outs to be read by the cast. (Probably more relevant to the patrons of the theater than the building itself, but they were a range of hilarious, heartwarming, and professionally personal!) There were free cookies available as well as a full bar menu. I don't drink so I always scope out the non-alcoholic options and I could have gotten a can of Diet Coke for $2--not bad! I did see that they did offer a curated drink that matched the show as well. I appreciate when small details like that are accounted for! I personally did not use the bathroom, but multiple members of our party did and I did not hear any complaints. The theater itself was very small, but it made sense for the show that we were attending? I am deathly curious (Pun not intended) to see how they will pull off Dial M for Murder in that space. I saw it in Oakbrook on a sprawling stage so my brain couldn't fathom how that would work. Anyhoo! Back to what I actually DID see. Again, the set worked for the show that we did see. It had a cool foley studio like I imagine radio stations did back in the day. My favorite contraption was the one that spun with a handle to sound like wind! So cool! The seats were black, plastic, chairs which I did not mind because I have proper posture. I didn't feel uncomfortable at any point during the 2 hour show. My grandma is shorty and had a hard time seeing at times, but luckily a radio play is more about what you hear over what you see. For your reference when picking seats, the the first row of every pair is the front row of another level. So Row A and Row B share a platform if that makes sense. Overall, I had a wonderful time (Again, pun not intended) and I signed up for the mailing list in the hopes that I can support again soon!

I know of a few theaters in the suburbs, but Big Noise isn't one I had heard of until the last year…read morewhen they had a table at a Park Ridge community event. Apparently they started as a theatre in Winnetka, and when their theatre space there was under renovation they made their way to Des Plaines and decided to stay put as Big Noise. The theater's name is an homage to their beginnings in Winnetka, from the jazz tune "Big Noise From Winnetka". Now you know! They apparently perform as Winnetka Theatre at the Winnetka Community House as well; the theatre has an interesting history for sure. They are a non-equity theatre, and they list audition information on their website for their upcoming shows. The company produced a play called Pete the Cat this season so my toddler's play group all went together. It was fun and they did well for any age, but for a group of 2 and 3 year olds they were phenomenally good audience members. The play was about an hour long and had there were a couple of spots where the kids could dance or respond to the actors which I think helped keep them engaged. I really enjoyed my visit here and I'm looking forward to checking out The Wizard of Oz this year and learning what they'll be doing next season.

This was my second time attending a show here, but first time I've felt it necessary to give a…read morereview. We saw "Disaster!" and sad to say the sound and the lighting lived up to the title. Which was unfortunate because the performers were AMAZING. Luckily we were in the third row so even when the microphones didn't work - which was pretty often - we could still hear most of the show. But the script is great (I've seen it before) and there is some wonderful wordplay that was completely lost because we couldn't hear. Spotlights appeared on empty sets while two actors performed their lines in utter darkness in another area. The orchestra was on the stage, normally a nice addition, but when microphones didn't t work, even the fake Muzak in the elevator scene was enough to obliterate an entire conversation. I complained after the show and got a "we know". No apology that we paid $40 a ticket for this. Or any indication the we're going to fix it. I hope they do. And worth mentioning that "Gray Gardens" (the only other show I've seen there) did not suffer from these problems. So there's hope