The Vivian G. Harsh collection is the Chicago Public Library archival collection hosted at the…read moreWoodson Regional Library. I've wanted to visit for a few years, since I learned this collection exists; however, Washington Heights is so far away from Ravenswood! I attended a virtual lecture that one of the archivists, Beth Loch, held about preserving your family history and it was excellent. She also mentioned a pilot program where the archive is giving a small number of archival protective items (box, folders, etc.) to the public for folks to begin to preserve their own documents, so I decided that it was time to take a trip down to the Woodson library (and it lets me cross off one more CPL branch on my quest to visit all the branches in the system!).
This is a deep and rich collection African American history which began by Harsh herself, which she began when she the first African American woman to serve as a branch manager in the CPL system. She collected a great deal of items herself whilst the director of the branch, and the precursor to the Harsh collection, called the Special Negro Collection and established by Harsh herself, was held at the Hall branch in Bronzeville. Harsh herself is a fascinating woman, but this review is about the collection and space specifically, so I'll try to tone down my fan-girling.
The archive holds the papers of several important African Americans, including Richard Wright and Timuel Black. Richard Wright (author of Black Boy and Native Son, amongst others) and Vivian Harsh actually knew one another, and there are photos of them together in the library. Many other African American authors, writers, organizations, and the like have donated their papers and historical documents to the archives.
This area of the library is wide and open with lots of tables for folks to do work and research. There's also a rare documents room that is kept locked and for use when reviewing particular items. It also has photos of important folks in the history of the library and the archives, as well as some interesting artwork. Jacob's Ladder, by renowned sculptor Richard Hunt, is in the center of this space. I learned that it was originally installed in the 70's and the artist's vision was that people would be able to walk through it to the other side; however, people would slip on the brick and children would hop on the bottom half of the sculpture and potentially hurt themselves, so there are now stanchions around the base of the two-piece statue. There are several large round discs surrounding the base of the sculpture, which once held plants native to Africa. However, when they moved the archives to this branch, the plants had to go (of course you don't want to have plants and their humidity near a collection of documents you're trying to preserve). They later filled it with fake plants, I believe, and now they are empty and covered over whilst the Chicago Cultural Center (which is responsible for placing artwork in public city buildings in Chicago) determines what new artwork will be placed in the space. There is also a somewhat haunting woodblock print by Willie Cole called Stowage taking up a large swath of the western wall of the room. As there was someone sitting near it and we're in the second year of the pandemic, I couldn't get terribly close to the plaque explaining the work; it says, in part: "...this woodblock... uses the iron and ironing board as icons to conjure both the labor of his African American female forbearers and the primary shapes of African sculpture." Hopibara by Williams, Hope in the Community by Omwony-Hope, and Tempest by Searles are some other beautiful artworks on display in the archive.
The librarians were great. I was wondering around taking photos and stopping to read the information about the works, and when I neared the desk where one of the librarians had been working, a second one came out and said that they'd noticed me wandering around and asked if I had any questions. That's when I learned who Harsh was, as well as learning a bit about Charlemae Hill Rollins. Both these women are fascinating and I seriously would like to write a book about them... I just need to learn how to write a book....
There's so much history here, and I really find archives fascinating. I wasn't totally joking about wanting to write a book, and that's mostly because Vivian Harsh (and Charlemae Hill Robbins!!) are fascinating women who are important not only in Chicago and African American history, but in the history of libraries as well. But a part of me wants to do it also because to have access to the archive would be a dream!
If you're here, it's worth a quick stroll through this section of the library to check out the artwork and maybe learn a bit, too.
Review #620 - January 10, 2022
2022 first review