I was hoping to see a show at The Globe, as I have a fondness for open air theater productions of…read moreShakespeare, but wasn't able to make it work so I opted for a tour. We had a fantastic tour guide who brought a ton of charisma and fun to his retelling of the history and stories behind The Globe. There is also a self-guided portion of the tour, with props and set pieces from some of the more modern productions which was very fun to see. Stop in the gift shop for a few souvenirs to cap off the experience.

We came here a few days prior to get tickets for an evening show of Romeo & Juliet. There were…read moreplenty of tickets available at all price points and we opted for the standing room only to have that full experience. Upon return, there was only a short line to get in and we got there only a few minutes beforehand so did not get up front. The facility is nice and I love that the space is outdoors. Glad it wasn't raining though with our tickets although the seated areas are all covered, the stage and actors are not. With our tickets, having someone tall in front of you and having to stand the whole time is a challenge. That said, we enjoyed the unique version of Romeo and Juliet and had a great time!

We saw Les Misérables and it was phenomenal!! I cried and laughed and was so taken by the voices of…read morethe entire cast! My friend has seen this show on broadway (NEW YORK) and she said this cast and theater was SO MUCH better! Even after the show finished and the cast were taking their bows it brought tears to my eyes again because of how amazing they were. Standing ovation was the least the audience could do after this breath taking performance!!

It was almost surreal to be able to purchase last minute tickets to see Les Mis at Queen's Theatre…read more I was in town for a few days and couldn't let the opportunity slip away. First of all, the theatre is beautiful. We had seats with limited view. I wasn't able to see the front, left portion of the stage but it really didn't take away anything from the performance. The staff members were very helpful. They were plentiful and led everyone to their seats. The line and security went rather quickly. Everyone had an opportunity to use the toilet during the intermission and didn't miss a second. I loved how everything started on time...I say this because this never happens in the US haha. If you're ever in London, take a few hours and watch a show at this theatre. Extremely worth it and forever memorable.

Have you ever been to a theatre-in-the-round? I had not and admit that I'd not even known what…read morethat meant. Then I spent an evening at the Orange Tree Theatre and now I'm all in. What a fun way to experience a show. A theatre-in-the round is one with seating on all sides of the stage. In the case of the Orange Tree, the concept continues on the balcony level. with long bench-seating (with backs) and a padded rail to lay your elbows atop. I'd booked tickets in advance, on-line and arrived at my (2) balcony seats to find an envelope with my name hand written on it. When I opened I found a letter - also hand-written - thanking me for joining them and welcoming me. This was an unexpected delight. The show I saw was Noel Coward's "Suite in Three Keys" (excellent) and I wish I'd had more time to see the other two Coward plays they were staging (with the same cast). Seats here were comfortable and they appeared to have a devoted crowd of regulars. Those folks would know what I didn't though, so here's your warning: save your drinks until post-show. The way the seating is arranged on the balcony level there is no way to get out of your seat mid-performance to, say, use the restroom. Likewise, if you arrive late you'll not be able to get to your seats if they're in the middle of a balcony row. For these instances, they allow guests to watch the show via video screen from an alternate space. You've been warned. So save the drinks until later and arrive on time. The theatre-in-the-round experience is fun and Orange Tree Theatre offers a great overall experience.

Made a belated first visit to this theatre the other night after knowing of it for many years…read more I appreciated their understated approach from the moment you walk in, with welcoming staff and not too elaborate decor in the lobby/bar area. The seating is intimate and I also received the first-time-attendee welcome note (as another reviewer noted), which is an extra positive touch that will linger in my memory. The play offered strong commitment from the actors and an energetic staging in the round. I would definitely consider attending another show here if given the chance.

I love what Finborough Theatre - like all small fringe theatres scattered throughout London -…read morerepresents: a focal point for aspiring artists and members of the community happy to support that art. Like other theatres of its ilk, Finborough Theatre is small, with perhaps room for 50 people max in its space. I was impressed with the set design of the otherwise disappointing play we saw here. The seats however were really uncomfortable, encouraging numbness in all the wrong places. Add the surprisingly high prices of the play we saw (approx. £15 a ticket) and alas, for me the reality of the Finborough didn't live up to its promise.

We were there tonight to see Andy Capp : the musical The…read moretheatre is really small. It seats about fifty people and there are only three rows. When we first sat down I couldn't imagine how they were going to pull off a musical on such a small stage Well, they did an amazing job! The play was very, very funny and the score was fantastic. These actors can really sing! This play could and should graduate to one of the larger theatres, with every single cast member in tow. I would definitely recommend seeing this play. Unfortunately they're all sold out. But you could and should see something at this theatre.

The Almeida is one of the best producing theatres in London. Some of their shows go to the West End…read moreand Broadway. They champion new work as well as bringing fresh perspectives to revivals. The space is very flexible and can be a proscenium, of thrust, or even in the round, whatever is best for that particular play. They don't shy away from controversial plays and musicals, so this is the place to go if you want to be challenged as well as entertained. Tip: When you book seats downstairs it may say restricted view. That's because this is an old venue with poles holding up the balcony. As you can see in the picture there small and in my experience they don't really get in the way. If that bothers you the seats upstairs are excellent.

It was exciting to see that the Almeida is still going strong, and perhaps entering an even more…read moreadventurous phase, when I returned here during a recent re-visit to London. I attended the theatre several times between 2004 and 2007, and the plays offered strong casts (Eileen Atkins and Imelda Staunton were probably the most notable names I saw live) but not especially challenging dramatic fare. This time around in early 2015, the theatre had been transformed into a would-be video game arcade for Mike Bartlett's provocative new play "Game". The audience was seated on specially constructed benches in a square area around the main "stage" (totally reconfigured into a would-be private living room) and voyeuristically urged to follow the plot of the show, which alternated between onstage and a live video feed that was broadcast simultaneously from different areas of the seats. This performance also pushed the boundaries of more traditional theatregoing in that it was offered twice in one night - a great way for the theatre to make some extra money and for the actors and technical staff to flex their muscles. It's clear that other recent Almeida productions have been more dramatically adventurous. Looking forward to keeping an eye on their future output!

This is a great musical ten times better than the film which I found a bit run of the mill. It had…read moreenergy, with great costumes great singing and dancing by the cast. Not a famous actress the lead actress though the villain was the famous Peter Davidson of Tristan fame from the 'It Shouldn't Happen To A Vet' series of the seventies.The story is a bit hairbrained where an ambitious salonist get into Yale Law school to get revenge on her former boyfriend who has dumped her for somebody more suitable. Hence 'legally blonde' in that she will always be a bimbo but not so as she unbelievably passes with honours and gets a brilliant boyfriend to boot. If this sounds incredulous because it is. Only fiction but great entertainment. Ismat J. Amin Theatre Critic

What a fantastic venue! We went to see "A Christmas Carol" play at this theater and the production…read morewas just perfect. The stage was located in the middle with the audience sitting all around it. It felt like we were part of the play. It was nothing like the theaters in the US. We loved it. Can't wait to be back in London and see another play at the Old Vic!

Love The Old Vic! It oozes history and class. The interior decor is stunning and the exterior looks…read morepretty swell too especially when lit up at night. I was so excited to be there for one of the previews of 'Other Desert Cities' and curious as to how that would work with the theatre having just been reconfigured to 'in the round'. It actually worked very well, and while we in the upper level, I can imagine it would be particularly interesting to be in the seats that were vitrually part of the set. I think I spied Melvin Bragg Down there. Who-ever it was he seemed to enjoy the show as much as us. OK perhaps it wasn't what I would call must-see theatre but it had a little something for everyone, and despite its dark nature in places, we had plenty of knowing belly laughs too. Since press night its been garnering a solid four stars. Perhaps because the show was in preview we were able to bag reasonably priced tickets at the box office direct. The staff were very friendly and helpful when we popped in the day before to check on availability. If there was a down-side it was that the seats were uncomfortable and the leg room very cramped, and thats coming from someone who is just 5ft & 2 inches! My companion had another foot on me and found the cramped seating a distraction from the show. Perhaps the more expensive seats are more comfortable. Wish everywhere had seats as cosy and roomy as The National Theatre! Conveniently located just along the road from Waterloo station for tube, rail and taxis.

The Royal Albert Hall is located in London's Kensington neighborhood and is among the most popular…read moreconcert halls in the UK and the home of the Proms concert series. The magnificence of the circular auditorium building cannot be understated, and its natural acoustics are nothing short of spectacular. Not only does the Royal Albert Hall host classical music performances, but it's also a popular venue for mainstream artists from all over the world, From Kensington Palace, it's a lovely walk through Kensington Gardens to the Royal Albert Hall. This was opened by Queen Victoria in 1871, and is named in memory of her husband, Albert, who had died six years earlier. Purpose-built as an entertainment space, today the hall is most famous for hosting the annual Proms - an eight-week-long series of classical music concerts and events. It also hosts all sorts of other events, from film screenings to tennis, so there's always something going on.

If you're a fan of opera houses and theatres, then this one should definitely be on your list. Next…read moreto the Royal Opera House, it is my absolute favorite for watching ballet, as it has just the right amount of poshness to make for an extravagant evening out without being overly fussy about it. You can dress up or not. They leave it up to you. The tickets for my show were also surprisingly cheap given how nice it was - almost half of what I would have paid for the same at the ROH - so booking in advance is highly recommended. The thing that made my night here unforgettable was the unique setup they had to showcase the Cinderella ballet. Instead of your typical stage where you're sitting in front of it watching a "flat" scene, here you would be sitting in a curved amphitheater-style audience, watching a carousel-style ballet happening beneath you. It was almost like stepping into a wonderland where even the scenery came to life. The light and prop work were unparalleled, and the only downside to it was that it was so spectacular, it oftentimes distracted from the actual dancers. Another unique aspect of this ballet was that, instead of having all of their dancers coming in from the same doors behind the stage, many of them came in through the same doors you would come through if you were sitting in the stalls; which meant that you would get to see the dancers up close as they were making their entrances and exits. Some even played a bit with the audience as they were doing so, which added a bit of fun to the show. There are small bars and restrooms located very conveniently throughout the theatre, so it's never too much of a hassle to get your drinks and use the loo in between acts. If you're sitting in one of the Grand Tier boxes, you can also order from your seat and have the bubbles come to you. The hall itself is easy to get to. However, once the show is over, it becomes absolute mayhem trying to get out of there and hail a ride. The closest tube station is South Kensington, which requires a short bus ride to get to. And, the buses become overloaded after only a few short minutes. But hey, no place is perfect.