Currently off view whilst renovations are being done on the Chase Tower. Possibly for lat next year…read moreviewing.

I really enjoy Chagall. The America Windows are my favorite exhibit in the Art Institute; my…read moreworkplace has reproductions of some of his works, and then there's The Four Seasons. It certainly helps too that I love murals and mosaics. It depicts the seasons in Chicago, which truly is a city that can experience them all (although I feel like spring and sometimes fall get the short shrift). This work was made in Europe and shipped here for installation, which I was surprised to learn. It also continued to be modified by Chagall after the installation, with bits of brick from Chicago also added at times to make it even more native to this space. It's one of a kind, and we're fortunate to have so much public art by world-reknown artists littered about our downtown.

The heart of the city. Better and less crowded than the Bean…read more This fecal fountain is a fun little photo op when you're in the city, and it's right down the street from Kasama, making them an unlikely but excellent pair.

Exactly what you'd expect: a statue that looks like poop. There was also a super friendly outdoor…read moreorange cat nearby named Mister that made my entire day. He was so cute and so worth the visit to the Shit Fountain. It's also near Kasama, so you can definitely make a trip out of this or take a quick detour if you're in the area.

There it was! The giant bean that Chicago is very known for. Loved that it was accessible and ADA…read morefriendly so everyone could enjoy it. We came early on a Monday to beat the crowds. The later it got, the more people showed up. I was lucky to snap this photo before more people started to come in. Really cool sight to see. It's a giant mirror and has two sides, the park side and the city reflection side. So the view from both and don't forget to check out the middle.

Cloud Gate, otherwise known as the Bean, sits in the middle of Millennium Park in downtown Chicago…read moreand is one of those public art installations that consistently surprises people who encounter it for the first time despite being one of the most photographed objects in the city. I walked up to a seamless polished stainless steel form that reflects everything around it without a single visible seam or joint across its entire surface. That engineering achievement alone is worth appreciating before I even started engaging with what the reflections actually do. The reflections are the experience. I watched the Chicago skyline curve and distort across the surface in a way that shifted constantly depending on where I was standing, and walking slowly around the perimeter gave me a different composition every few steps. Walking underneath the concave arch in the center, which locals call the omphalos, produced a funhouse mirror effect that reflected me and everyone else from overhead in a way that was consistently disorienting and engaging regardless of how many times I have seen it. On a clear day with blue sky the effect was particularly strong, with the skyline wrapping around the sculpture against a bright background. On overcast days the palette shifts toward silver and grey and produces its own version of the thing. Admission is free and the park is open and accessible, which made Cloud Gate an easy addition to my Chicago itinerary without any planning required. It gets crowded, particularly on weekends and during summer, and the area immediately around the sculpture fills with people taking photos throughout the day. Early morning visits before the crowds build give you a more relaxed experience and better light for photography. It is one of the few landmarks in any city that genuinely lives up to what people say about it.

This stretch of murals, also called the B_Line, is an ongoing work. It was created in 1971--and…read moreyes, you heard that correctly; it's over 50 years old. Ricardo Alonzo was an SAIC graduate and started the project with an environmental focus, but over time they have evolved. The organization that assumed responsibility for murals selects artists from around the world to paint them, and flies them out here to create their work. While most of the original murals from 50 years ago have faded away with time, they try to preserve what they can and create new art when they can't. It's an interesting stretch of about a mile, and is not a city project. The organization has an arrangement in perpetuity with the railroad for which the embankment is built. It will be interesting to see how this evolves and what new works are created.

These murals make a reason to visit in an otherwise bland elevated rail infrastructure,separating…read morethe Fulton market neighborhood. Each segment, uniquely different, are an homage to the city and its people. Colorful and vibrant, it paints a picture of unique individualism and whimsy countering a gentrifying area of the city.

This review is for Sculptor Louise Nevelson's "Dawn Shadows Sculpture" in the Chicago Loop…read more.... I was on the Brown Line L Train platform and peered down from the right side of Wells Street looking South....and saw the amazing artwork at 200 W. Madison Street...which in itself is a striking modernistic building made of glass allowing the passengers from the L platform to see the art inside the building which I understand is an apartment building with office suites. This is where I learned about the famous Sculptor Louise Nevelson....born in Ukraine in 1899 she passed away in New York City in 1988. Her contributions and artwork includes: "monumental, monochromatic, wooden wall pieces and outdoor sculptures." According to Wikipedia. Her works can be viewed at the Museums of Modern Art in both New York City and San Francisco among other museums. She was influenced by Alexander Calder and Pablo Picasso among others. The Harris Theater also features a sculpture of a Stage Curtain for the Opera Orfeo and Euridice from 1984! Ms. Nevelson designed the sets and costumes for Christoph Willibald Gluck's Orfeo and Euridice Opera. See:http://www.nytimes.com/1984/06/08/arts/opera-gluck-s-orfeo-in-st-louis.html?mcubz=0 Her Featured "Dawn Shadows Sculpture" was influenced by the Loop Brown Line and the best vantage point is from the Brown Line Platform at the Washington/Wells Stop. The City of Chicago states, "[I]n "Dawn Shadows," Ms. Nevelson is best known for her large wooden relief sculptures composed of stacked box-enclosures and original and found objects Like most of her work, this steel sculpture is monochromatic and responds to the complexities of urban structures." Now I want to return and explore "the found objects" that are used in the sculpture....and learn more as well as visit the Harris Theater to see her sculpture there! See:https://www.cityofchicago.org/city/en/depts/dca/supp_info/chicago_s_publicartlouisenevelsonsdawnshadows.html

This statue is kind of tucked away between the Cook County Administration Building and the Chicago…read moreTemple Building in the Brunswick Plaza. There is metered street parking and commercial parking garages within a reasonable walking distance. Most viewers of this statue will be passerbys. This is not a destination piece by far. It is the work of Joan Miró, who created the piece in 1981. It stands 39 feet tall. It is made of a hodge podge of materials including: steel, wire mesh, concrete, bronze, and ceramic tile. The sculpture was originally called the Sun, the Moon and One Star. The abstract piece looks like a figure with a fork on its head standing on a pedestal. I will be honest. I find this sculpture a bit odd. I did like the colorful interior crystals that look like they are coming through a crack. If you look across the street, you will see the Picasso statue. As with most sculptures that I have visited and reviewed, this is not a destination piece, nor a long stop as I previously mentioned. I was there less than 5 minutes. So, you may want to consider planning out additional stops at many of the other attractions in the area (and there are many of them), or making this stop part of a larger itinerary to maximize your time and trip. Fun fact: The sculpture's model can be seen at the Art Institute of Chicago.

Miró's Chicago was initially commissioned but not completed due to the cost. Ten years later, Jane…read moreByrne, the first female mayor of Chicago, was able to raise the funds to complete the sculpture. Initially titled "The Sun, The Moon and One Star, " she is now nicknamed "Miss Chicago" due to her curved dimensions that evoke the famous Minoan snake goddess from the ancient isle of Crete. The public's initial response to the concrete, steel, bronze and ceramic tile masterpiece was less than favorable. Today, she is a beloved Chicago landmark statue. To learn more, scan the QR reader at your visit.

Wings of Mexico…read more Beautiful wings. Gold. Always a line for taking picture. Nice. Clean place. Lots of people. They placed the wings in the perfect place. Highly recommended

You will find this pair of gold wings in the front of The Plaza of America. They tempt you to hop…read moreup there and take a photo with them. The wings are made of bronze with cement and iron bases and were installed in the Plaza in May 2022. They are the work of renowned Mexican artist Jorge Marín, who intended the piece to proudly symbolize the immigrant journey. Marin partnered with the Consulate General of Mexico in Chicago and Visit Mexico for the piece. The wings are well traveled. They were actually made in 2010 and before reaching its current home in Chi-town, it began it journey in Mexico City, with stops at 25 other locations, from California to Dubai. It was scheduled to be moved to Brookhaven, Georgia in October 2022, but for some reason still remains in Chicago as of April 2023. I like the concept of the wings and its backstory. It takes all of those wing murals popping up across the county to the next level. It is rare to see them in sculpture form. I really like these wings, even though they are pretty basic. They are still very detailed, eye catching and they are definitely worth checking out if you are in the area. Parking to get a closer look at this sculpture is difficult to do, as is most parking in the Windy City. This sculpture is not a destination piece and most of its viewers will be passerbys such as myself. Anyway, as with most sculptures that I have visited and reviewed, this is probably not a very long stop. I was there less than 5 minutes. Also, be very careful if you are going to get a closer look, as i previously mentioned, this is located at a busy roundabout. With that being said, you may want to consider planning out additional stops at many of the other attractions in the area, or making this stop part of a larger itinerary to maximize your time and trip.

This bright red/orange piece, that resembles a cross between a praying mantis and an elephant. It…read morejust sucks you in. You cannot pass by it without looking. There is metered street parking and commercial lots within a reasonable walking distance, but most viewers of this statute would be passers by, on their way to another destinations. You will find this piece at the Federal Plaza in front of the Kluczynski Federal Building The steel sculpture is the work of Alexander Calder. It stands 53 feet tall and weighs 50 tons. It was commissioned by GSA in 1974. This piece is well maintained and looks great, especially for its age. I think it is supposed to represent a flamingo, but does not even come close to that. I think at a minimum the piece should have been painted pink versus its current international vermillion hue. As with most sculptures that I have visited and reviewed, this is not a destination piece, nor a long stop. I was there less than 5 minutes. So, you may want to consider planning out additional stops at many of the other attractions in the area (and there are many of them), or making this stop part of a larger itinerary to maximize your time and trip.

Another fun iconic sculpture in downtown Chicago! We had no problem finding it while walking back…read moreto Union Station from the Art Institute of Chicago. It's located at the intersection of W. Adams and S. Dearborn streets. American artist Alexander Calder installed the 53 foot tall steel sculpture in October, 1974. It is painted a bright red, vermillion red, which is now called Calder red. Enjoy!!

Created by Jaume Pensa. It's a water feature with two glass towers that projects faces of folks…read more Very cool thing to see. Interactive art installations are some of my favorite pieces to see. In addition, if you're feeling like you need a cool down from that hot Chicago summer weather...you can take off your shoes and soak your tootsies. To me, the splash pad has no age limits. It's worth the quick walk from The Bean to see it.

Gorgeous! Refreshing to spend time here on a hot day. Relaxing and peaceful atmosphere, while also…read morevibrant people watching as kids and adults run through the water. Beautiful interactive fountain and I love seeing the changing and details of the faces. A lovely part of Millennium Park.