This theatre is so lovely. The staff were extremely kind and organized. The theatre itself was…read morereally intimate, and the seating was comfortable. I was blown away by the show that we saw. I will definitely be going back again.

I visited the Secret Stories art event happening right now on until Jan 3rd. Saturday and Sunday…read morethere are some vendors but we went during the week to avoid the crowds. SUCH A NEAT EVENT! We loved every minute of it. They have QR codes you can scan to hear the music to accompany the art (so bring your phone). The only room for improvement would be to put the QR codes to the left of the art pieces so you can listen to it while you're passing by the art connected with the music). The artist did such a beautiful job! So many details and it was so neat to see places you have passed a million times made of paper. The kaleidoscopes were very pretty and a fun touch. I highly suggest checking this very covid friendly event out.

Four Seasons Centre for the Performing Arts is Toronto's main home for opera and ballet, which…read moreopened in 2006 and was designed specifically for world‑class acoustics, making it the first purpose‑built opera house of its kind in Canada. It offers seating for just over 2,000 people. Inside, the space feels open and elegant, with easy access from Osgoode Station and an underground parking garage. It hosts performances by the Canadian Opera Company and The National Ballet of Canada, along with special events throughout the year. The performances are well-organized and staff are friendly and helpful.

I've been here to see a performance of Rigoletto. The talent was top-notch. The cast was superb,…read moreand the sets were impressive. Toronto is a world-class city, but when it comes to culture sometimes it's a step behind the likes of Chicago. However, the Four Seasons fills the void. The theatre itself is super-modern and leaves something do be desired compared to the grand Opera houses of Europe (say Budapest Opera house, or Vienna State Opera). Still, the acoustics is good, and the visibility is excellent (well, at least from ring 5 row A), owing to the steep incline. Do yourself a favour and take in some culture at the Four Seasons and help support the arts.

I went to see last show of The Great Gatsby here. I have read the book and one of the film…read moreadaptations in high school. The play was great. I sat in the last row in the mezzanine section. I feel like sitting a little closer to stage (front-middle mezzanine or middle to back orchestra) would have a better viewing experience. The theatre actually has 2 entrances (Yonge St. and Victoria St.). The interiors are gorgeous. Staff and the customer service guy were great and helpful. They were able to heIp switching for the right date when I called about getting ones for the wrong date. Make sure to call them as soon as possible. I think there's a grace period to be able switch. Also, tickets would have to be the same price if you are switching dates and/or time. Even though I didn't get charged for switching, I have seen online that there is potentially a $15 fee for doing so.

This historic performing arts center in Toronto Ontario Canada is known for hosting major musicals…read moreand plays. The entrance and lobby area is quite impressive with the grand staircase and chandelier. We were there to see Water for Elephants in this two tiered auditorium that seats up to two thousand people. We had great seats in the orchestra section. With a circus theme and a great story, it was very entertaining. The theater was opened in 1920 but had significant renovations completed in 2022.

I am STILL cockeyed after this fabulously hilariously entertaining performance. Best, like I did,…read morenot knowing what this was all about then you are head-over-heals with laughter and enjoyment. So, I didn't take any photos or they would stand out for all the regular or irregular pics I have in my gallery and I don't want anything to drain my gallery... OR my wife wondering WTF am I turning into? I am straight into the bright light and with the horse blinkers or blinders... I am straight... Just love life and this is life... forget anything and live the moment. Thank you

I wanted to save something special for my 100th review and what's more special than a live…read moreperformance with two nekkid guys on stage handling their meat canes for 50 minutes (in a theater that doesn't have sticky floors)? Thanks to Kat F. and the generosity of the Yelp Weekly sponsors, I was among the lucky handful of Yelpers who got free tix to see "Puppetry of the Penis: The Ancient Art of Genital Origami" at Elgin & Winter Garden Theatre Centre. But before the main event, we had to endure 40-some-odd minutes of yet another tired-ass female comedienne's routine. This time, Shelley "cock and chocolate are all I want for Christmas" Marshall was serving up a big platter of mediocrity. If a raunchy version of the Cathy comics is funny to you, then you might've liked her. Personally, Marshall's brand of humor has me groaning in pain more than laughing in hysterics. She was in her element, though, as she had the almost-entirely menopausal audience in stitches. After a long intermission, the evening's stars took center stage. I was under the impression that the performers are Australian so I was a little bit disappointed when the puppeteers, Christopher Cannon and Rich Binning, turned out to be American. An Aussie accent would've made this so much funnier. They're also much younger (and cuter) than the original performers so I felt a bit like a perv staring at their peckers throughout the show. Apparently, they're in their early 20s but they look like the fresh-faced high-school kids who might shovel your snow this winter. The title of the act is also a bit misleading; Cannon and Binning do not use puppets. They stand before you completely buck naked and their only "props" are their respective schlongs which they manipulate into various poses. Some music, sound effects, and canned comedic banter intersperses each dick trick and the shapes they create run the gamut. Some are no-brainers: The Pelican, Yoda, A Man-gina; others were a "stretch": The Eiffel Tower, The Windsurfer; and still others had me scratching my head, wondering, "How in the hell...?": The Wristwatch, The Baby Bird, and their pièce de resistance, The Hamburger. Not knowing how close I'd be to the stage, I brought my binoculars. But I really didn't need them as we were about six rows back. In addition, the funky junk is displayed on a projection screen magnified large enough so you can see every hair, goose bump, and wrinkle. Kind of gross but these features really came in handy when representing KFC extra crispy chicken. Like I said, the audience was mostly older women and judging from their reactions (and rather immense proportions), I'd put the majority of them in the cock-and-chocolate camp. They were hooting and hollering, practically in tears. One woman was doubled over in so much laughter, she looked like she was going to tumble out of her balcony box seat and go splat on the floor. Overall, I'm glad the ticket was free because I wouldn't pay $50 for a performance like this. A few of the PotP moves would be sure to amuse as neat parlor tricks but an entire show devoted to them? Meh. Once you get over the shock value, the penis puppetry quickly devolves from phallic Cirque du Soleil into Cirque du So Lame. P.S. Yelp is asking, "Good for kids?" I'm going to vote yes, just cuz.

I went to see Lucy Darling on her 6pm Friday show. The show was fun…read more The interiors were gorgeous. Seating was pretty spacious (especially, the balcony-mezzanine area). There are tons of stairs and escalators with concession stands on different floors (not sure if you can refill empty water bottles). The staff was friendly and welling to assist you.

What an absolutely stunning venue! I went to see comedian/magician Lucy darling and had a marvelous…read moretime! The interior was absolutely gorgeous. Coat check $2 and drinks $12 were cheaper than the Mirvish or Ticketmaster owned venues which I appreciated. It is owned by the Ontario Heritage Trust rather than one of the billionaires of the world. It is a piece of Toronto history and you must absolutely go at least once to see this incredible piece of architecture.

I started taking classes with Habeeba in June 2013 after training in Egyptian belly dance for more…read morethan 3 years. Habeeba is extremely technique oriented and is touching base on topics I have never encountered before. With only one class a week I'm improving immensely and it's obvious I have so much to learn from her. I see what she has achieved for the dancers in her troupe and that's proof enough for me that I'm taking classes at a quality dance school. The studio itself is a great atmosphere and everyone is friendly. I highly recommend this studio for anyone whether they have never taken classes or have been for years.

A small perfect Egyptian belly dance school…read more After a few years of classes at one school, I branched out to classes and workshops around town. Two classes at Habeeba's and my technique had leap-frogged! I was amazed. Moves I thought I couldn't do, styles I thought I didn't like ... kaboom ... Habeeba changed my mind. Habeeba is a truly gifted instructor - really watches her students and is extraordinarily aware of what everyone in the room is doing - very proactive re preventing injury. Habeeba is particularly gifted in developing choreos to work with her individual students' strengths. I had always admired her troupe's shows at the CNE. Now I know why they are so good. The studio itself is a wonderfully warm space, with a variety of other classes offered, TTC accessible. Super love this place and the classes offered.

Went previously to see the Lion King and just recently "Ones" (Beatles no. 1 hits")…read more If you're into the Beatles, highly recommended. Not only singing along and bopping to all their number one hits but also learning their history and fun facts that I never knew about them. They were truly amazing....." "We all live in a yellow submarine, a yellow submarine, a yellow submarine." The theater layout is well designed with basically no obscured views. Very clean and well maintained despite it's age, a beautiful and classic venue going back in time over 33 years, oh the stories it must have. Plenty of staff to guide and assist you to your assigned seats. Drinks/bar setup on each floor lobby for those who drink on every occasion. The sound and lighting system perfectly complimented each show I sat in the upper level for Lion King and the mid level for Ones, both levels with perfect views of the main stage with clear sound. Protip- take the side exit after the play is over, a lot quicker than going out the main exit where you entered the thester

(Attended 09/12/25 FR @ 9:00pm & 09/13/25 SA @ 6:30pm): This was a princess of a theatre while…read morepatrons wailed with excitement for the movie premieres! Nearing the end of the 50th Toronto International Film Festival, I finally nabbed a couple of film screenings at the Princess Of Wales Theatre. One of five venues used to showcase films during the festival, this large single-screen venue showcased some of the gala premieres with an approximate capacity of 2,000+ seating. Opened on May 26, 1993, it was built by the father and son producing team of David and Ed Mirvish, with the Canadian premiere of Miss Saigon. Designed by architect Peter Smith and featured artwork by Frank Stella. It was the first privately built, stand-alone theatre in North America in over 50 years - and the first in Canada since the historic Royal Alexandra Theatre. Did this theatre make me feel like a princess and provide me with a whale of a time!? PURCHASE(S) Open Captions Screening - "Poetic License" ($29.00CAD): Having world premiered earlier in the festival, this comedy-drama was the feature directorial debut of actress Maude Apatow (daughter of Judd Apatow and Lesle Mann). The story followed a soon-to-be empty nester relocating for her husband's new job. As she attempted to settle in, her entanglement between two college best friends and their fight for her attention sparked the main theme of the film. It was cute, endearing, and sweet as it focused on the character trying to find her footing in a new environment. The pace was very good, the dialog was casual and fresh, and the cinematography was effortless. Sadly, there wasn't a Q&A after this screening. Gala Screening - "Peak Everything" ($29.00CAD): Whether I was drunk, tired, whatever, this film went way over my head, and I lost interest in it fast. Buttered Popcorn Regular Bag ($6.19CAD x2): The addictive aroma of freshly-popped kernels and hot melting butter sucked me in as always. Plus, no movie experience was complete without popcorn and candy (I had no candy...). Armed with only one smallish size to sell, I inhaled these early in the respective films. SERVICE All of this was based during the Toronto International Film Festival and not solely on the general on-hand staff. The online ticket sales were a breeze once you found a film that wasn't sold out. The "Rush Line" sales were quick once tickets were released, and every human being I dealt with from festival staffers/volunteers, ushers, to the concessions was nearly seamless - thank you! PARKING (Varied; N/A this instance): I was constantly in the area all day throughout the Toronto International Film Festival, so I simply walked. Otherwise, there were spots along the many main and surrounding streets, I believed onsite underground parking, some nearby structures, numerous public transportation options, and rideshares - 'nuff said! ATMOSPHERE, DÉCOR, AMBIENCE A fairly modern facade, the multi-level interior was beautiful with an old-school movie palace feel, various murals, gorgeous ornation, and bar/concession counters on each level. The seats were cushioned enough (no cup holders nor reclining seats), very good sound system, and slight auditorium seating so someone could've still blocked your view. My first Orchestra Row GG seat I had was a bit angled but fine, while my second Orchestra C Row M seat was really nice except for the cramped seats and tall person in front of me. There were low-incline steps which were easy to climb. Minimal natural lighting came through the lobby windows while electric ceiling lights filled in the rest. There were various monitors, no background music, but there was plenty of chatter all around. ATTIRE Totally casual, so I would normally be in a t-shirt, boardshorts, and flip-flops. OVERALL Princess Of Wales Theatre was a beautiful facility, any live performances would be a treat to see here, and I felt there really weren't any bad seats unless you were in the extreme angular areas. Everything ran smoothly, there weren't any real hassles, the concession prices were standard albeit a limited selection of offerings to eat while the ticket prices were elevated as was the norm for a film festival. The customer service was easy, friendly, and straightforward. I found very good value based on the prices, service, and experience noted above (TOTAL paid experience was around $70.00CAD BEFORE any discounts/tip). And, they accepted my credit card of choice... AMEX! 4.0 STARS

This space is great. What they did to it creates an awesome intimacy. Really enjoyed their launch…read moreparty!

Dragonfly Bellydance is new, founded in 2010, and has fast become my favourite destination for…read morebelly dance in Toronto. They've got the details right: a good website (skeds, bios, PayPal); introductory and community-building events, workshops and performance opportunities; frequent promotions to facilitate trying something new; and a clean, bright studio (just above Guu sake bar on Bloor, steps away from Bathurst subway station). Most importantly, it's a welcoming atmosphere. They accommodate drop-in classes at any level on almost every day of the week. I take sessions (approx 8 weeks long), which are a great value. The session "curriculum" is always clear and delivered by the very best teachers who really care to see their students reach their dance goals and laugh a lot during class. Sometimes we drill isolations or learn the basics of Saidi or focus on the building strong, elegant arm movements, or dance to a few rock songs. (While the basics are sound, there's a lot of fusion too.) Whether you're an experienced dancer looking for new inspiration and excellent instruction or an absolute beginner looking for a comfortable and fun creative exercise experience, Dragonfly bellydance studio has what you need.

September 24th update: Dragonfly now has expanded to a…read moresecond studio and is offering even more belly dance classes not available in other studios. Dragonfly Bellydance is a fantastic place to learn to bellydance. Here are some of the great things about this studio: - Professional, dedicated faculty - Traditional bellydance as well as bolero and steampunk fusion (lots of fun) - Beautifully decorated space with good floors and a changeroom - Easily accessable by the TTC

This entertainment is highly recommended! It is great for groups small or big. We had the pleasure…read moreof having Elysium Entertainment at my company Christmas party and it was well received. They included some guests of the audience in their murder mystery which made it interactive, interesting and highly entertaining to see co-workers let loose. Thank you for a wonderful time!

From the owner: Elysium Entertainment is your one-stop shop for comedy entertainment. Whether you are looking for…read morean improv, murder mystery, comedy variety show, stand up comic or more, we've got them!