A Very Die Hard Christmas -- Seattle Public Theater…read more For 33 straight years, my sister (WCP) and I have watched Die Hard and Die Hard 2 every December. A few years ago, a friend introduced me to this parody play -- and now it's officially part of my holiday tradition. I come back year-over-year because each production is different, clever, and full of new surprises. This year's version was one of the best yet: Upgraded set pieces, including a tall wall with TWO vents and working doors Smartly updated jokes and swapped-out 80s references Fresh additions to the villain list (shoutout to Huey Lewis & The News and Vidal Sassoon) And a perfect recreation of the iconic vent scene where McClane mutters: "Come out to the coast, we'll get together, have a few laughs..." followed by "Now I know what a TV dinner feels like." This was my 3rd time, my friend Mary R's "don't ask how many," and my sister's very first time. The show was hilarious and high-energy -- but honestly, the best part was watching WCP react to it for the first time. Pure holiday magic. Seattle Public Theater nails the humor, nostalgia, and chaotic joy of Die Hard while giving audiences something new every December. If you love the movie, love parody, or just want a holiday show that's totally different from the usual lineup, go see this. Highly recommended. Yippee-Ki-Yay, Seattle.

Last year Steve and I heard about the stage production of A Very Die Hard Christmas. It's a parody…read moreof the movie Die Hard and how it is now preceived in more recent years to being a Christmas movie. We really wanted to go but alas it was sold out. But we were lucky to find it having dates this year and Steve seized the opportunity right away as far as tickets go. The Seattle Public Theater is a pretty small theater and lobby but the setting for it is great as all the shows would be intimate and the fact that the theater is right by Green Lake adds a scenic perk to the experience. The show was great and really funny! Very well organized and acted and it proved to be a very entertaining night for our first visit to Seattle Public Theater!

I'll start off by sharing a positive experience I had at The Studio Seattle, which was getting to…read morelearn from Hailey Henderson. Hailey is as excellent of an instructor as she is an actor. She clearly loves teaching and is incredibly knowledgeable about acting theory and applications. Hailey has high expectations for her learners and is also deeply compassionate, a perfect combination for creating an effective learning environment. I am immensely grateful to have been able to learn with her. Hailey is the primary instructor for The Studio Seattle, whereas Andrew Tsao is the artistic director and founder. Andrew was going to cover the last several weeks of classes in my Acting Foundations 2 class series, and prior to this he co-taught a class with Hailey. In this class, Andrew had us participate in exercises where we would be improvising interactions with a scene partner. These scenes were meant to be highly realistic- we were playing ourselves and had similar relationships to each other as we do in real life. Our objectives and given circumstances were given to us individually, without our scene partner's (or the class's) knowledge. In one scene, Andrew had one of our male classmates play the role of a sexual predator towards not one, but two of our classmates. When his scene partner responded to his unwanted advances authentically, by attempting to distract the perpetrator and leave, Andrew told her that she was responding incorrectly and that should/would in fact "fight". He also told her that her "avoidance" would be a hindrance to her as an actor. In another scene, part of the given circumstances was that one of my classmates had had an abortion. I followed up with Andrew expressing my concern that not one, but two extremely sensitive topics, particularly for women, were chosen for these exercises. I stated that that the nature of the exercises required us to be ourselves, thereby increasing the level of sensitivity and creating a high potentiality for trauma/re-traumatization. I acknowledged that while actors do work with difficult content, we get to choose and consent to this, which was not an option in this situation (since we did not know our scene partner's backgrounds or objectives). I stated my expectation that content will be more thoughtfully chosen for these exercises moving forward and that learners be made more fully aware of their options. Andrew's initial response acknowledged that he could have been more thoughtful in ensuring everyone was aware that they could opt out of the exercises. He did not address my concerns over the nature of the content itself, other than implying that more experienced actors would have been fine with the content (I have since heard from multiple other acting instructors that this is not at all the case). I responded by saying that I appreciated his effort to improve transparency around opting out of exercises moving forward. I again stated my concern over the content itself, particularly as it relates to women, and expressed skepticism that more experienced actors would have been fine with the content. Overall, I felt like my concerns were dismissed. Andrew responded by disinviting me to continue attending classes at The Studio Seattle. Based on my experience, I'm of the opinion that Andrew Tsao is not interested in feedback as it relates to the safety of his students, particularly women. For this reason, I would caution any woman/female person against taking classes at The Studio Seattle.

I have completed Foundations 1 & 2 at The Studio Seattle and cannot speak highly enough about this…read moreprogram and instructors. Alana's deep understanding of theory and process offers the groundwork to feel comfortable and prepared for the deeper work in Foundations 2, while Aaron has a magical way of balancing thoughtful and respectful lessons with a humility and irreverence that creates a joyful space to learn and try new things. Thank you, Andrew for creating a welcoming, enriching, and intensive space in Seattle.

What a fantastic show by Gansango Music & Dance at this amazing historic venue! Well kept and…read moreexceptionally clean. I hope to see more shows there in the future.

Outstanding customer service from staff excellent programs, strong media outreach and community…read moreengagement

Terrible. After buying a voucher for four tickets to a show, they refused to honor it. The…read moreexpiration date on the voucher was almost two months after the shows for the season ended. They refused to honor it for the next season, have any shows or other products to use it on before it expired or offer credit towards future purchases. When I brought up the expiration date timeframe, nothing from them.

Beautiful theatre! The lobby is spacious and engaging for children. We arrived as doors opened and…read morehad no problem filling the 60 minute wait time before the play started. The seats are comfortable and spaced well- especially when tall people (adults) look behind them to see who is seated behind them. Just a little lean to one direction of center seat can block a child's view. Enjoy!

My friends and I went for the eclipse showings, and had a fantastic time. The presenter was super…read moreknowledgeable and clearly loves sharing their passion for astronomy with visitors. The showing we attended had about 10 young children in it who were fairly roudy and asked tons of questions and constantly interrupted our presenter, but the presenter was a total champ and was amazing at answering them. Their knowledge of how to operate the actual planetarium's video system (the whole point of the planetarium) was great, and they even did an on-the-spot trip to the moon to look at a lunar eclipse from that view. Overall fantastic trip, and glad that I found this hidden gem.

Read the reviews; Drove to see for myself with + 1 kiddo; and "Closed" :-( Please OPEN :-)read more

I attended this event on Saturday, Feb. 24, 2018 at the Bell Harbor International Conference…read moreCenter, on 2211 Alaskan Way, Seattle. I heard so much great things about this event and I was asked by my friends to join this year. This was my first time and there was really nothing memorable other than standing out in the cold with my $85+tax ticket and then to find out that the place is jam-packed with people like Black Friday Walmart once you make your way inside. I am not sure how people can drink (alcoholic beverages) and carry around fancy restaurant catered food through multiple floors and thousands of people. The whole experience reminded me of a being in a club, actually worse. Coat check was free and that was the only good part. There were two volunteers, an elder lady and a young gentleman from Northwest Harvest and they were very kind and efficient. The venue itself made it extremely difficult to navigate through different food /spirits /wine tables. I heard many people (whom I assume attended previous events) complaining that "this is F***ed up. They shortened the time (from 1-5pm to 2-5pm for general admission and raised the price; and VIP admission is from 1-5pm with $110 price tag per ticket); and they really need to bring this back to Seattle Exhibition Center (where everything was on one large floor, not divided into 3 different areas / 2 different floors).!!" As for the wine and food "experience" nothing stood out. I did not even see Chateau St. Michelle or Columbia Winery. Probably explains a lot when those big name vendors didnt bother signing up this year. Most of wineries featured were young wineries that I had absolutely no interest in trying. I did enjoy DeLille Cellars and Corliss; and 4 wineries that made out to Seattle from Oregon (Lange and Duck Pond to name a couple). There is no way you could enjoy all the wine and food they offer in 3 hours when it takes 30-minutes to get in and they start quickly clearing everything around 4:40pm. So you basically have 2:30-4:30 to fight your way through the crowd and dont even really get to chat with wineries about how their wine is barrelled or aged. This is not the experience I was looking for and I actually enjoyed the cheaper event I went a year ago at the McCaw Hall. I dont need fancy food if I can barely get any tasting of wines which is what I really came for. Oh here are photos I took of Top Pot doughnuts table; and two bottles of Wine I enjoyed.

This review is for POP! Seafood 2017 only. I was actually very excited about it and it was kind of…read morea let down. There were more wines/champagnes than food. I am a seafood lover, but not necessarily very comfortable in the raw seafood territory. Most of the stalls had types of poke and lots and lots of raw oysters. I think I was expecting more of crabs/lobsters which I did not see. It's definitely a fun event. It has a cocktail party ambience and dress code. Make sure you carry your printed pass and Id. They have a coat checkin at the entrance. If you like raw oysters you would love it. But I would still argue it's not worth $85 per person. There is only so much alcohol I can take to get buzzed yet stay in my feel good zone. Grand tasting would better suit my taste buds. For next time!

Super helpful friendly staff and welcoming atmosphere. The studio is bright and filled with every…read morematerial you need for mosaic. And it's located one of the few Seattle neighborhoods with free easy parking.

I love this place…read more It's a unique, comfortable, friendly studio that offers classes and membership privileges for folks who want to learn to mosaic (or folks who already know how and want to learn more). The women who work there-- I've met: Veronica, Cara, Emma-- are helpful and full of tips on how to mosaic.

As I'm sitting down to (finally) write this review, words are escaping me. Gregg is as talented as…read morehe is direct, honest, and passionate about this craft. If you're not serious about becoming an actor, I would advise you to look into the many other classes Seattle has to offer. Perhaps one at the UW (scene study? intro to scripts? audition practice?) ... Gregg I hope you're laughing right about now. This class strips you of social constructs and leaves you bare enough to absorb any character; at least that's the goal. If that sounds like the level of acting you want to do, Gregg's studio is the ONLY place to do it. Be prepared to work, to learn, to take criticism, and eventually grow as an actor. Gregg, I appreciate you and can't wait to give my Oscar speech so that I can thank you properly. All my love, Jazmin

As a disclaimer, I have never thought that I would ever write a Yelp review. This is my first, and…read morevery likely - will be one of my only - reviews here ever. I'll try to keep this short, because I want you - the skeptical, aspirational actor - to read this. However, I will also say what needs to be said. I've mentioned this elsewhere too, so if you see these words on other platforms, know that this was intentional. I first came to the Gilmore Studio because it seemed to be the only place in Seattle that could offer sincere instruction in a craft that I sometimes doubted could even be taught. Gregg proved to me that I was horribly wrong. It can be taught. And it can be taught very, very well. I was unfortunate enough to only be in the area for one summer, but I have considered myself a student of his ever since. That summer has laid both the physical and mental groundwork that I rely on as I continue to train and act in New York and LA. Gregg Gilmore is a teacher who will understand where as an actor you can grow most, and how. He gives, and only gives, complete and utter sincerity to his work, which means as the student, you will have both the gift and responsibility of mutually doing the same. Whether you have never acted before, or have trained in other notable studios, I deeply encourage you to give an honest and thorough consideration of the compelling work done here. I have, and that has made all the difference.