I've gotten so much value out of working with Jona through Career Activate. The quality of the…read morematerial is excellent, but what really sets it apart is the access--to real industry professionals, thoughtful masterminds every quarter, and a smart, supportive community of actors who are actually working and thinking strategically about their careers. The masterminds alone are worth it. Being able to hear directly from industry pros and then process that information alongside other actors has helped me sharpen my perspective and make better decisions, instead of just reacting out of anxiety or guesswork. I especially highly recommend Jona's "Getting Rich in Your Niche" module. Once I went through that work, I got headshots that genuinely worked for me and clearly told the industry how to cast me. It brought focus and alignment to how I present myself, and the results were tangible. Career Activate is practical, clear-eyed, and rooted in how the business actually works. I highly recommend Jona to any actor who wants smart guidance, strong community, and tools that lead to real momentum--not just inspiration.

Get Rich In Your Niche really opened up my understanding of branding. I used to basically only…read moreupdate my materials when I got new footage. But I applied the specific tips I got in this course to re-edit my reel without new footage, make it much more cohesive. After just a few months, a filmmaker did a deep search in my niche on IMDb, saw my newly edited reel and contacted me with an offer for a lead role in a feature film that he had struggled to find the right actor for. That's just one example of a tool I gained from this course that I'm still able to benefit from because I now review and refine my materials continuously - not just for the sake of shaking things up but with a clear strategy and direction in mind.

I felt these classes were overrated. Suzanne herself came across somewhat arrogant, although the…read moreother instructors here were very nice. I went on later to get part-time red carpet work (which is what I wanted) but I would attribute little to what I learned here to actually finding work. Much better classes out there.

Suzanne is the BEST coach I have ever worked with. She has an incredible gift for identifying the…read moresmall tweaks needed to make huge transformations in people. Her teaching style is very nurturing. The way Suzanne works is a perfect example of how positive reenforcement can bring out the best in people. However, that's not to say you're not going to be challenged in class. Suzanne has had a phenomenal career and knows how tough this industry is. She will push you. Her wisdom is priceless. I frickin' LOVE her! I love taking her workshops. I used to work as a TV Host in Australia and took her Hosting 2 workshop because I wanted to get a better understanding of the industry over here. I got that and more! Suzanne is a goldmine of knowledge. I learned so such. I know I am a better host for taking her classes. After Hosting 2, I was invited to the Career Intensive. I will continue to work with Suzanne, forever! Also, I met the best people during her classes. People who I've stayed friends with and have ended up working with!

I was so excited to take her class because I love Stella Adler and feel that she and Michael…read moreChekhov were by far the best acting teachers of the 20th Century. I started as an auditor in Marjorie's zoom class during Covid. I would read with other actors, and enjoyed it. I then decided to enroll as a regular student to receive feedback. I started to realize that doing scenes on Zoom was not enjoyable, and was looking forward to classes going back to "in person". My first scene on Zoom was from "Blue Valentine" and the actress I was suppose to do a very emotional scene with, decided to bail on me last minute in class after I had done a lot of work and preparation. It put me in a sour mood, and threw me off. Marjorie then decided to read my first scene with me (which felt odd). When I told her that I wasn't feeling it, she preceded to put me down in front of the entire class. Marjorie's classes also tend to be very "political". I read an earlier review where someone wrote that she talks about her personal life a lot (which is true). She also has very bias and negative opinions about men. If you're a young man (particularly heterosexual) and enrolling in her class, I would be very cautious. She also brings up other controversial topics in class such as race, and politics. In the fall of 2023, I decided not to judge, and give her the benefit of the doubt. I enrolled and payed a $150 deposit for her Tuesday scene study class. I ended up getting casted in a play, and rehearsals started when classes began. I emailed her asking if I could apply the deposit to the next cycle. I waited a week, and never received a response from her, or her assistant. Since she has no legal written policy on deposits, I disputed the transaction with my bank and they gave me my money back. A few days later, I received a threatening email from her "assistant" (and not her) saying she was going to take "legal action" against me over $150 dollars. Bottom line, there are many other teachers and schools in town. Take your hard earned money and give it to someone who really cares about your growth as an artist, and not an ignorant individual who has their own agenda.

I never write reviews but I felt this was necessary to help other students not waste their time and…read moremoney. A few issues: Marjorie can be very rude to her students and I've seen first hand how she will humiliate students in front of everyone. There's a way to critique someone without being insulting or humiliating or condescending. I've seen people in tears (and not for the scene btw). I personally think she tries too hard to be Stella Adler herself. Second issue - she talks too much about her personal life and I find it unprofessional. I'm all about getting to know people but there comes a point when you feel like you're just getting robbed. Third issue - this is more of a personal issue. I find it funny how she brags about being Latina and coaches people how to be "more latino" (whatever that means) but then has a pretty obvious accent when she actually speaks spanish (she's definitely not fluent). It's giving "No sabo kid". She's probably 3rd/4th generation for sure. Anyways, as much as it is helpful to give constructive criticism and be honest, that's not what she does. Or maybe it is but she's just not kind or gracious about it. Essentially, you'll just always be afraid to do your scene for her. Plenty of other better teachers out there. Hope this helps!

I found Iris's acting class incredibly therapeutic and deeply rooted in self-discovery. In just…read moreseven classes, I learned more about myself than I expected. The work really opens you up, not just as an actor, but as a person. What I appreciated most was how safe and non-judgmental the environment felt. It allowed me to truly see others, connect, and express my feelings without fear of being judged. Every class felt meaningful, and I genuinely enjoyed every moment of it. This class isn't just about acting, it's about awareness, presence, and emotional honesty. I walked away feeling more open, grounded, and connected, and I'm so grateful for the experience.

This class is for people who take both their careers and their relationships seriously. I laughed a…read morelot while being out on the skinny branches, and the environment encouraged play and curiosity--which made the experience genuinely enjoyable. Along the way, I uncovered a few communication blind spots and picked up practical tools I can already use. I'm definitely going back--I'd like to reach the same level of skill as some of the more seasoned students. Although it's an acting class, this course is a game changer for anyone who wants to become a better listener and more effective communicator, on or off the stage.

A Transformational Experience with Lizzy -- More Than Just an Executive Speaking Coach…read more Working with Lizzy was nothing short of transformational. I came to her looking to sharpen my executive speaking skills--things like confidence, presence, and strategic questioning--and I left with far more than I ever anticipated. Lizzy transcended the traditional role of a coach. She became a trusted guide, helping me uncover and leverage my unique strengths not just for career advancement, but for navigating life with clarity and purpose. Her method is a powerful and rare blend of science and soul. Using her proprietary profile tool, she brought analytical precision to identifying my communication style and professional superpowers. But it was her intuitive understanding, bold honesty, and deep empathy that made the process feel like a true evolution--not just skill-building. Lizzy brings a rare energy into every session--equal parts powerful, real, and refreshingly vulnerable. That energy is contagious. With her, I felt both seen and stretched. I now speak with more clarity and confidence at work, but even more importantly, I gained a winning philosophy that I carry into every part of life. Lizzy doesn't just teach you how to speak--she teaches you how to own your voice and your path. If you're looking for a coach who will challenge you, champion you, and genuinely change the way you show up in the world, Lizzy is it. She's a rare gem, and I can't recommend her highly enough.

I used Lizzie's services for some interview preparation, and she was great. I get very nervous in…read morehigh-pressure situations and after our session I felt much more confident. I took her advice to heart and feel I did much better than I expected. I don't think I could say the same had I not done my preparations with her. Would highly recommend

I've taken a lot of different acting classes around LA (even Zoom ones based out in NY) and this…read moreone taught by Eric Kline is unique. I started here in summer 2023 and went here consistently for about a year. I'm not sure if it's still the same format but when I was there you would pay for class per 2 weeks session -- so one week you and your scene partner would do a zoom cold read with each other and Eric. You should have worked up the scene prior to the cold read as well and discuss it with Eric at the cold read. Then the following week you would meet up (I was in the Tuesday evening class) at the studio to perform the scene. Depending on who your scene partner is, you could schedule to meet to practice your scene more if you wanted. But most people I believe just chose to meet up half-hour to hour prior to in-person class to practice. What I really liked about this class is that you get experience being filmed at every in-person class. He has two 4K cameras, a green screen where he can project a background, and a boom mic. So you're not just performing your scene on a stage while your peers watch. You will get to perform while also learning the technical aspects of how to perform on camera. THIS is why I went to Eric's class! I got an experience that is close to being on a set. Also you can get experience working the camera or holding the boom mic while your peers do their scene. At the end of class, you will watch everyone's scene and Eric will give his critiques. You can also request to get a copy of your scene, which was $10 when I was there. Since I started acting in 2023, this really helped me to build a reel so I had something to self-submit for auditions and later on when I submitted to agents. Eric teaches Tony Barr's technique (hence the name of the studio -- Eric and Tony were good friends). I don't know how to describe Tony Barr's teachings but it just made sense to me -- it's practical and realistic. I felt I could organically just let go and be present in the scene. I believe I did 1 or 2 private sessions with Eric before I felt comfortable to come to the in-person classes. But you don't have to do that, that's just what I did as I was new to acting and had to get over the nerves of being on camera. Every actor I met in class was nice and very supportive. Eric created a safe space for everyone to learn and can make bold choices. I highly recommend this place!

I didn't believe anyone could teach acting until I met Eric Kline. Eric runs Tony Barr's film…read moreactors workshop. He knows more about film acting than anyone I've ever met, and I have met many actors, directors, teachers. This is without a doubt the best acting class in Los Angeles. The only reason more people don't know about this class is because Eric relies on word of mouth to get new students. He's the most brilliant acting teacher in the state, but doesn't spend much of his energy advertising. Works for me because there's always a spot for me, and there's no other class I want to be in. Also, this is one of the only classes that shoots the scenes we work. Being in this class not only sharpens talent but it also gives students new footage every two weeks. Can't say enough good things about this place.

Whew this place right here... this is my home. The amount of growth that I have experienced here as…read morean actor is immeasurable. Indrani is exceptionally great at what she does and deserves all the success. You can tell right away her passion for the craft and her love for all the actors that join the family. She has developed such a safe space for us creatives and I couldn't be more grateful. Not only is she literally the best, the community that you develop from this studio is unlike no other. Regardless if you are just starting out in acting, or you have some experience, this place right here.. will become your home too Thank you Indrani for all that you do!

Indrani Desouza is one of the best teachers to work with! If you're looking for a class to ease you…read moreinto the industry, look no further than here. An Acting Studio curates a creative, innovative, and inspiring environment where community thrives. I feel like my technique and craft have improved since working with her. I've also seen fellow classmates book roles through her instruction and I can't speak more highly of Indrani.

This is my favorite acting studio in LA. Tim and Andrey know numerous acting tips which they…read moregenerously share with students. Moreover their teaching technique is so incredible! Everytime I get a lot of fun during exercises and I found it very helpful for expand and polish my acting skills. This is an unique place with a true spirit of acting and art.

I have been training at the Stanislavski Studio in LA for about 4 months now. I am humbled to be…read moretraining with these 2 great masters Tim Craig and Andrey Vasilyev. Tim Craig is a student of Stella Adler and Andrey Vasilyev has trained with some of the top acting coaches in Russia. Their training process/approach is fun, practical and applicable. Tim will focus on bringing the character from outside in, while Andrey's training focuses on developing inside out. Tim uses the 11 audio action movement in helping bring the text live. Andrey will work on body movement, imagination, improv, on camera and the center self/spirit. Each coach will give actors the necessary tools to become better at their craft. I highly recommend training at the Stanislavski Studio. Cheers. Ronnie