It is unfortunate that I must write this review, but we do so for the benefit of future families…read morethat may be considering Kids n Dance or Expression Arts as an outlet for their children. A little about our experience. Our daughter has taken many classes at Kids n Dance (owned and managed by the same persons who own and manage Expression Arts). As she grew older and developed a passion and skill for circus, she joined Expression Arts and was part of their circus troupe for 3 seasons. For a time, circus was a haven for our child. She built a community with the peer troupers and truly enjoyed the challenge and art of circus. Over the past two seasons, we have increasingly heard of concerns by our daughter about the environment at Expression Arts. While we were receptive to her concerns, we initially tried to ask our daughter to trust the program, embrace the challenges as opportunities to learn, and to believe in the positive intent of Esme, Kris, and Marielle. But over the past season the concerns and experiences have escalated. Numerous troupe members have come forward to raise awareness of troubling experiences endured over the course of years. Some of the concerns raised by troupe members and our daughter directly:
Unsafe Physical Environment-Troupe members raised concerns of inadequate warm-up, inadequate breaks, extended time upside-down, and a persistent culture of pushing through pain and injury. During the lead up to performances, the children are often at practice for 6+ hours. Practice increases in frequency until the final few weeks preceding shows, where practice is nearly every day. During the two weeks of performances, troupers were initially asked to do 1 show on Friday, 2 shows on Saturday, and 3 shows on Sunday. Each show is ~2.25 hours. It was only after there were serious concerns raised in a parent conference with Kris and Marielle, that the 3rd performance on Sunday was cancelled. The standards, rigorous schedule, and high-risk performance are a dangerous recipe for the safety of the troupe members.
Emotional Manipulation and Inappropriate Behavior- Esme often drifts between friend and coach with the troupe members. This relationship is confusing for the troupe members, with Esme using this bond to instill her values on the children and also playing favorites. Multiple troupe members have noted that Esme can be erratic in her behavior, switching between positive behavior and disparaging and belittling language. In one incident, Esme told our daughter that she must have "ADD" after our daughter offered to help with transitions. In another incident, Esme commented on the body figure of a trouper. And in another incident, she told a group of troupe members that their act was "stupid". In isolation these incidents may be explainable (and Kris and Marielle have attempted to rationalize all of the incidents), but what can't be explained or rationalized is how widespread and consistent the experiences are amongst the troupe members. After a senior troupe member sent a note to the troupe parents about her own traumatic experiences with Expression Arts, numerous troupe members came forward and shared consistent and repeated experiences.
What is most concerning about our experience with Expression Arts is not the negligence of Esme, Kris, and Marielle, it is the complete lack of accountability and curiosity to do something about the numerous concerns raised by the troupe members and families. It is our belief that Esme, Kris, and Marielle have the best of intent. We believe they want to provide a safe place for children and to cultivate a thriving community built around circus. We also believe they are wholly incompetent and untrained in how to create this place. The incompetence can be addressed, there are programs like SafeSport which, coupled with Esme's passion for the art, could transform the space. But Esme, Kris, and Marielle first need to face the root of the issue and take the concerns seriously. After the senior troupe member raised concerns about her own experiences, she was abruptly removed from the troupe and essentially called a liar. The parents of the troupe then demanded a conference with Esme, Kris, and Marielle. Esme did not attend, but Kris and Marielle spent the bulk of 90 minutes deflecting and taking no ownership or corrective measures.
Despite her initial love and passion for circus arts, our daughter has decided to close this chapter of her life and move on. Despite everything we note above, our sincerest hope is that Expression Arts and Kids n Dance thrives and can be a safe place for our youth to grow and express themselves. For this to happen, two things are needed: 1) Esme, Kris, and Marielle need to be curious, vulnerable, and accountable for the harm they are causing to the children. No more deflection. 2) Esme, Kris, and Marielle need to pursue the ongoing training to equip themselves to appropriately and safely engage with children and young adults.
