/For full review, go to: http://wp.me/pwXBH-lH The Fat Duck: A Blumen' Great Day in Bray Good day and welcome to my Big Fat Duck Post! I have been in two minds whether to even mention this, but in the interest of readers who have not yet been to The Fat Duck and are seriously considering going, I will spend a few paragraphs on the matter of securing a reservation at this temple of new British gastronomy. If you work during the day, good luck to you. Normally when you call the restaurant, you get an engaged tone. If you set your phone to automatic redial, you may just get through one lucky time within an hour, but usually you won't. But that is only step one. If you are fortunate enough to get through the engaged tones, you will then hear one of two things. The first option is a pre-recorded message telling you that the restaurant is now booked for the next two calendar months, and they don't take reservations past that time frame. If you get this message, you can hold on and wait to speak to someone to be put on the waiting list in case of any cancellations. This will normally mean enduring anywhere from 20+ minutes of Alice in Wonderland being read to you (that is the restaurant's hold 'music') a rather nice idea and clearly the chef has a strong attachment to this great story (see 'Mad Hatter Tea' course further below), but it does get a bit old and irksome after many, many minutes of waiting. I got through once a number of months ago and spoke to a South African lady who told me that there was pretty much no point putting my name on the waiting list for a Friday or Saturday (of course, the only two nights I could really go), but I did so anyway and never heard back. The second option is that you just go straight through to Alice, which means you may be in with a chance if you can just take off the rest of the morning or afternoon to wait. Oh, and one more thing, the reservations line is closed during lunch hours, so you will need to make sure it is a slow day at work and that you clear the morning or afternoon in your diary. I did this, and on my XXXth attempt, I finally got through to a living person after about 20 minutes. And low and behold, they had 'the last' table for two available at lunchtime on the Saturday about two months from when I was calling. I don't think I let her finish before blurting out, I'll take it! It's funny, I was extremely worked up about the whole off-putting experience of booking a table, but all of this built-up tension suddenly melted away when I found out I had reached what is possibly the second holiest grail of restaurant reservations in Europe (after El Bulli in Spain, of course). The Famous Not-So-Fat Chef I will not beleaguer you with the full biography and ethos of Heston Blumenthal, the chef behind this 3 Michelin star restaurant, which was again the only restaurant in Britain to achieve a full 10/10 in the Good Food Guide this year. As many of you will be aware, he is one of the chief protagonists in what the media likes to term the 'molecular gastronomy' movement. This means that he is intimately interested in the physical and chemical transformations that different foods undergo in the cooking process and that he uses many modern-day some would say scientific techniques to create his whimsical dishes. For example, liquid nitrogen was employed in three of the courses during our meal. He is also by most accounts more or less self-taught, having run the restaurant for many years prior to gaining his fabled reputation both amongst his peers and the dining public. About a year ago, he signed a contract with Channel 4, one of the main television channels in the UK, and has since then become a more familiar name and face amongst the British public through his two television series to-date: Big Chef Takes on Little Chef and Heston's Feasts. I watched and enjoyed both series, and my key takeaways about Heston were as follows. He seems like a nice, ordinary, down-to-earth guy who is insanely passionate about food. He is intrinsically interested in challenging convention and creating holistic dining experiences where diners can truly enjoy and appreciate the whole act of the meal not just the food, but the thoughts behind it, the atmosphere and space in which it is eaten, how it is served, and how the six senses experience the entirety of the event. Besides this, he is truly fascinated by the history of food, and loves to research the eating habits of our ancestors to understand how he can bring back some of the key elements of gastronomy from the past and reinvent them for the modern day, creating something both historic and completely new. Nothing embodies this more than the four feasts (Victorian, Tudor, Medieval & Roman) he cooked in the mini-series Heston's Feasts, a program which I truly took pleasure in and from which I drew much inspiration. But enough about Herr Heston, I will let you google away for further information on this genuinely intriguing read more