After all my complaints about evil concertgoers, it seems fair to praise the audience at a recent…read moreBreeders show. No one talked and everyone paid attention to the music. Revolutionary! The clean sound system provided a pristine experience for crucial 90s moments like the opening bass of Divine Hammer. Orchestra seats were surprisingly the same price as most of the balcony, no idea whether that's a Ticketmaster thing or a Count Basie thing. Venue entry was quick and painless. There were no bathroom lines at off-peak moments, at closing time there were lines but not of record lengths. Geography note for NYC-area people: it's walkable to the train station but you might be waiting a bit.

The Breeders rocked Red Bank this June summer solstice. The venue was lovely. Nice bathrooms…read more Beautiful courtyard and bar to mingle before the show. The smell of fresh popcorn wafted through the lobby. Seating in the theatre was classic art deco era. Maybe not great for shaking one's groove thang, but way more comfortable than those outdoor festivals.

Brookdale Community College radio station 90.5 The Night presents free concerts on the Belmar beach…read moreevery Thursday evening during summer months. There are two acts and the first performer starts at 7 pm. The musicians and the audience are all outside so weather may be an issue (if necessary they might move inside the Taylor Pavillion). Bring your beach chairs and coolers filled with adult beverages. Arrive by 640 pm and you will get a good spot. The location for a concert is good and the sun sets behind the performers. The only negative is that the performers are literally on the boardwalk and people keep walking behind the drummer. Check the schedule for names you recognize or just show up and you may be pleasantly surprised to discover a new band or singer. Some acts are great: eg Sonny Landreth on 7/27/17.

My daughter and son loves dancing at Evolution Dance Academy. The Directors, teachers and staff…read moretreat everyone like family. They do all they to create a positive atmosphere for all the children and adults. I would recommend this studio to anyone.

My daughter started her first competition season there. She did extremely well. Her teachers were…read morevery patient. The director is very kind very family oriented I highly recommend this studio

The Secret Behind the Magic of The Stone Pony is Community…read more There is something about The Stone Pony that goes beyond music. What made the venue legendary was never the walls, the bar, or even the stage lights. It was the community. In the 1970s and 1980s, Asbury Park became a kind of laboratory for musicians. Night after night, artists gathered in clubs along the Jersey Shore to play, experiment, collaborate, and refine their craft in front of real audiences. The Stone Pony became one of the central meeting points for this growing creative ecosystem. Musicians sat in with each other's bands, traded ideas, tested new songs, and sometimes performed several nights a week. Instead of guarding their talent, they shared it. Instead of competing, they elevated one another. Out of that environment emerged artists who would later become internationally known, including Bruce Springsteen, Southside Johnny, and Steven Van Zandt. They were shaped by thousands of hours playing together in small rooms filled with passionate listeners. The sound that developed in Asbury Park reflected this collaboration. It blended rock, soul, rhythm and blues, and big-band horn arrangements into what many came to call the Jersey Shore sound. Part of what made this ecosystem so special was the geography. Within just a few walkable blocks were other gathering places where musicians and fans flowed throughout the night, including Asbury Lanes, Tim McLoone's Supper Club, and the legendary Wonder Bar, all just steps from the Atlantic Ocean and the Asbury Park boardwalk. Music, ocean air, and a close-knit creative community blended together in a vibrant hub where musicians could play one venue and then wander down the block to hear another band. My curiosity about this history grew from a personal place. Over the past year my son, Chris Renner, a young guitar player who has only been playing for two years, has had the opportunity to perform rock cover songs on stages throughout Asbury Park. Chris's playing has reminded many listeners of the legendary precision and melodic passion of Randy Rhoads. His style focuses on melodic solos and phrasing influenced by classical music rather than typical head-banging metal. Because of the NJ music community, Chris has already had the opportunity to perform as lead guitarist on stages including The Stone Pony, Asbury Lanes, Tim McLoone's, Wonder Bar, and even the Ozzy Osbourne Tribute Show at the Cutting Room in Manhattan. Watching him step onto those stages sparked a deeper interest in the story behind the NJ music scene and the culture that continues to nurture musicians today. One of the most interesting aspects of the Asbury Park scene is how cover music and original music live side by side. Many bands begin by performing well-known songs while gradually introducing their own material. The cover band scene plays an important role. It allows musicians to build stage experience, connect with audiences, and become part of the local circuit. Those shared songs create a common language between bands and fans and foster a welcoming camaraderie. Something even more inspiring has been happening recently. Several of Chris's friends from the local music community have begun forming their own original bands and performing their own songs. Chris loves supporting them, showing up to their shows and cheering them on as they cheer him. This is how music scenes grow. Musicians celebrate the music that inspired them, refine their skills through live performance, collaborate with other players, and eventually discover their own voice. Even today the Stone Pony carries that legacy. Musicians still show up, plug in, and play. Fans still crowd close to the stage the way they did decades ago. Great cultural movements rarely begin in boardrooms or corporate offices. They begin in communities, in small venues, shared stages, and the willingness of people to create together. The Stone Pony and the Asbury Park music community are proof that when talent, opportunity, and collaboration come together in one place, something extraordinary can happen. Joanna Renner NJ Realtor | Life Coach Proud Mom of Musician Chris Renner 646-296-6864

Just stopped in here briefly to look around while a show was going on. Definitely a bucket list…read moreplace to visit if you're going to be in the area considering all the amazing musicians that have been here over the years.

Beware: VERY uncomfortable seats on sides! We attended a concert in this university arena. There…read morewere many ushers, but most of them seemed unfamiliar with the seating plan. The sound system was surprisingly clear - particularly for a sports arena. If I return to the venue, I will only sit on the floor. The seats on the sides were very tight and uncomfortable. We also were charged $10 to park in the university parking lot.

One of the best concert venues I've ever been to. It was easy getting into the shows even though it…read morewas packed. There are great vendors in here for food and merch. Got to see the Gaslight Anthem here twice. Once in the spring of 2013 after Hurricane Sandy hit the Jersey shore and once in 2018 during their '59 Sound 10 year reunion tour.

Being an avid music fan from New Jersey, one might assume that I had been to the Stone Pony or its…read moreSummer Stage by this point, but, you would have assumed incorrectly. Well, until recently at least. My friend, who had been there many times, and I just happened to go to a sold out show, arriving halfway through the set of the second of three bands. When we arrived, the crowd was already at least 50 rows deep from the massive stage, but, despite its size, we could barely see the musicians. In addition, the sound was very spotty. The Summer Stage was actually a parking lot that was fenced in and repurposed for seasonal performances, so it was not really a true venue, but, still, it was completely uncomfortable, which hampered my experience. Scattered around the edges of the lot were food and beverage stations, as well as merch tables, but they were nearly impossible to reach. There were also no screens on the side of the stage to offer a visual alternative. Speaking of displays, there were also no televisions inside the Stone Pony, where my friend and I went to escape the crowds in between bands two and three. The place was much smaller than I had expected with a large stage and bar, but not a ton of viewing room. At least the inside bar was readily accessible, so we grabbed some drinks and headed back to see the final band. However, we did not even make it to the end of the concert, because it was just too crowded and distracting. I would not rush back here to see a show, especially if it was for a sold-out performance.

As I'm a member, this review is kind of like blowing my own horn in more ways than one, but since I…read morewas just at our first rehearsal for the upcoming season last night, what the hell. The Colts Neck Community Band is now in it's eleventh season and is one of the best community bands in the state. At least it's the best band *I've* ever played with. We are about 100 professional and amateur musicians and perform at our "home", Colts Neck High School, in the Spring and Fall plus additional venues around the county. Selections range from classical pieces to marches and show tunes. Our concerts are free, but we do accept donations which fund a scholarship for our members who are high school seniors going on to major in music. Now that I'm getting better at posting events, I'll be sure to add our upcoming concert dates on Yelp as they approach. Please come join us - it's money well (un)spent!

Love Robin and her staff. My granddaughter has gone from one class to three she enjoys it so much…read more Every recital is a pleasure watching the students perform. They seem like one big happy family.

As a long-time student at Robin McGill, it saddens me to say that the place has gone way downhill…read morewithin the past few years. Robin McGill has become very rude to the students over the years and parents are not allowed to watch the kids dance until her scheduled "Parent Observation Weeks." Robin's choreography is honestly not great and sometimes when I was dancing at the recital I felt ridiculous in the costumes she picks out because they don't always go with the theme of the recital. I gave it 2 stars though because everyone else there is pretty nice but Robin really needs to work on her kindness skills.