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    Toronto Symphony Orchestra

    4.2 (27 reviews)
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    Carol Z.

    Awe-inspiring; an absolute symphony of sound. Thanks to TSOundcheck, TSO's program for 18-35 year olds, my boyfriend and I scored Valentine's Day tickets to Prokofiev's Romeo and Juliet for $20. And main floor seats, right in the centre of the concert hall? It's almost too good to be true. There were two featured artists that night: famed former TSO music director Sir Andrew Davis, and Juilliard school alumni harpist Heidi Van Housen Gorton. We absolutely loved the Profokiev set. Sir Davis demonstrated a mastery in conducting the pieces. As another reviewer mentioned, the orchestra's forte is definitely one of their strengths. It was my first time going to an orchestra concert and just being in front of the orchestra in person brought an entirely new dimension to everything I was listening to. Pure, unadulterated classical music. An evening at Roy Thomson Hall is a must, especially for those able to take advantage of TSOundcheck.

    Heng-Ling W.

    As a musician I have heard of a lot of good orchestra live. For example New York Phil, Boston Symphony Orchestra, Chicago, Detroit, Philadelphia, Indianapolis, etc. I have to say: Toronto, you are blessed with this wonderful orchestra. There are a lot of musicians in the orchestra that I was lucky to learn with at school. If you live in the city or visit the city, don't miss the opportunity to hear one of the best orchestras in the North America.

    Roy Thomson Hall
    Kevin C.

    When I first went to see the Toronto Symphony Orchestra, I was blown away. It's quite the magical evening. I'm not a huge fan of classical music, in the sense that I may have trouble differentiating a Gerswhin from a Strauss, but I always love hearing it done live. First of all, you have to dress up. Well you don't HAVE to, wear whatever you want really, but how often do you get dressed up? That's what I thought. So pull out the old plaid sports coat and pop on your burgundy bow tie and you're ready to go. Wait, you don't have a bow tie? Alright, you can wear a regular tie but you're losing points. Secondly, you really need to be on time, actually scratch that, be early. I know you're not used to that and it's going to be tough, but they seriously won't let you in if you're too late. Trick yourself into thinking its 30mins earlier. Lastly, don't bother buying a drink or a snack at intermission. Unless you have a ton of money you're looking to throw away, in which case message me directly and I can help with that. Their prices are way too expensive. And if you really need a coffee to stay awake, be aware that they somehow manage to fit about 4 times the amount of caffeine into their coffee. Oh sure that sounds like a good thing, but trust me, when you're strung out on caffeine while trying to sit still and enjoy the show you'll know what I mean. I had always thought it was a little out of my price range until I learned about tsoundcheck (http://www.tsoundcheck.com/). It's been mentioned here a few times already, but it really makes going to the symphony much more reasonable for us youngins. I've never had a horrible seat using tsoundcheck either, so don't think you're losing out on anything. You no longer have a reason not to go.

    Enjoying some classical music!
    Mauricio A.

    Like I said when reviewing Roy Thompson Hall, I am honestly quite surprised I never got around to reviewing both RTH and the TSO on Yelp. However, as you as my witness, that is changing right here, and right now. Full disclosure, as a kid, I was raised both listening to classical music and playing musical instruments so I will admit I am a tad biased since I have averaged about 7-10+ concerts a year. Granted, the TSO is an institution to be proud of, and I am certain the individual musicians as world class, however, the TSO as a whole, has over, say the last 20 years, been a bit touch and go at times when it comes to selection. It is quickly worth mentioning that RTH made renovations to the venue in 2002 which did improve the general acoustics, which made the TSO sound better! I was happy about that. However, that is more about the venue than the TSO however, even though by now, they are both almost intrinsically linked. It is challenging, for sure, trying to appease long time lovers of Classical music while at the same time trying to reach out to a younger audience who may *generally* not think of the genre as a staple when picking their music preferences. Not to mention an overall declining audience as the older base continues to die off and a younger demographic who might not be willing to fork out the money to keep the TSO afloat for years to come. Not to mention finding a right balance between what we could call "classical works," some of which may focus on the skills of the performer(s) --DAMN YOU, Franz Liszt-- to more populist, arguably more accessible works, like modern film scores, such as John William's Schindler's List, whenever the gifted Itzhak Perlman "pops" for a visit, and other POPS concerts. I thought they hit marketing GOLD with TSO Soundcheck, which allows younger audiences --under 30 at first, later extended to 35(!!)-- to experience performances for very, very affordable prices ($16+) which fill what otherwise would have been empty seats. The trade-off? You will not get to pick your own seats but I think that is more than a fair trade when you think you are getting a night at the symphony. Which in my opinion, it is an awesome way to expose younger minds to the Classics. Not to mention that these days, the TSO may throw in a post-performance, "performance" after the classical concert, which is really cool! They are definitely worth staying for, I have seen Lemon Bucket Orchestra (an AWESOME eclectic Polka ensemble) to some other interesting bands from different genres (Jazz, Turn of the century Canadiana, experimental) for *free,* included in the price admission. Something they did not do back in the day when I started coming in as a teenager back in the late 90's. All in all, a night at the TSO should not be reserved for a "grand night out" or to celebrate anniversaries-only-type events but rather something to be enjoy as often as a really welcomed meal. Oh, and if you are under 35, you HAVE to take advantage of Soundcheck. The TSO is as much as part of Toronto as the CN Tower, High Park or us saying "ToronNo" instead of "ToronTo." We should not risk losing it. Definitely, and highly recommended.

    View from floor section C1 row N.
    Silvia L.

    There's something to be said about a live orchestra; the power of the drums, the sweet sound of the strings, the deep hum of the cello, and the gentle strum of the harp. If you're a fan of classical music, or live music in general you'll love an evening at the TSO. Although I end up going only once or twice a year to the symphony I do love going to the TSO at the Roy Thompson Hall. My boyfriend and I make it an event, we get dressed up, have a drink before the show, take some pictures, enjoy the concert and have a post-theatre dinner. Because I am not too familiar with classical music, I do some research and listen to which shows I would actually enjoy as if you're like me you may or may not like all varieties of classical music. I would also advise that if you're relatively flexible about which shows you want to go to and where you want to sit, to wait for the various sales the TSO offers throughout the season. Also they do sometimes offer show tickets via groupon, where you can attend a concert for as low as $25.

    5 stars through and through for Tsoundcheck. C'mon, $16 for a 2 hour concert of Debussy? It's almost too good to be true. For those unfamiliar with Tsoundcheck, this a program for 18-35 year olds, where you can purchase set tickets (normally on Wednesday nights) for only $16. My friend and I got almost front row mezzanine tickets even with Tsoundcheck. In general, I would say that the TSO has really great mastery of the pieces. The symphony's forte (yes, pun intended) is definitely their technical skills. Peter Oundjian, the current conductor, certainly has a lot of charisma, sophisticated musicianship and all-in-all great artistic skill. He does a really great job making sure all the musicians are well integrated, yet each instrument stands out. I am also a fan of their program. They do a stylized breakdown of all the movements of the symphony. It's quite fun to go through while listening to the performance. I would also give a thumbs up to the location of TSO. It's conveniently located next to the Ritz Carlton, Shangri-La and all the bars on King West, perfect venues for some post-concert/pre-concert drinks. I am also considering joining the Impresarios Club at the TSO where members meet other young professionals in Toronto and bond over our shared passion for classical music. If anyone is in the club and would like to comment on it, that would be great.

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    Review Highlights - Toronto Symphony Orchestra

    For those unfamiliar with Tsoundcheck, this a program for 18-35 year olds, where you can purchase set tickets (normally on Wednesday nights) for only $16.

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    Princess of Wales Theatre

    Princess of Wales Theatre

    4.2(79 reviews)
    0.4 kmEntertainment District, Downtown Core

    Went previously to see the Lion King and just recently "Ones" (Beatles no. 1 hits")…read more If you're into the Beatles, highly recommended. Not only singing along and bopping to all their number one hits but also learning their history and fun facts that I never knew about them. They were truly amazing....." "We all live in a yellow submarine, a yellow submarine, a yellow submarine." The theater layout is well designed with basically no obscured views. Very clean and well maintained despite it's age, a beautiful and classic venue going back in time over 33 years, oh the stories it must have. Plenty of staff to guide and assist you to your assigned seats. Drinks/bar setup on each floor lobby for those who drink on every occasion. The sound and lighting system perfectly complimented each show I sat in the upper level for Lion King and the mid level for Ones, both levels with perfect views of the main stage with clear sound. Protip- take the side exit after the play is over, a lot quicker than going out the main exit where you entered the thester

    (Attended 09/12/25 FR @ 9:00pm & 09/13/25 SA @ 6:30pm): This was a princess of a theatre while…read morepatrons wailed with excitement for the movie premieres! Nearing the end of the 50th Toronto International Film Festival, I finally nabbed a couple of film screenings at the Princess Of Wales Theatre. One of five venues used to showcase films during the festival, this large single-screen venue showcased some of the gala premieres with an approximate capacity of 2,000+ seating. Opened on May 26, 1993, it was built by the father and son producing team of David and Ed Mirvish, with the Canadian premiere of Miss Saigon. Designed by architect Peter Smith and featured artwork by Frank Stella. It was the first privately built, stand-alone theatre in North America in over 50 years - and the first in Canada since the historic Royal Alexandra Theatre. Did this theatre make me feel like a princess and provide me with a whale of a time!? PURCHASE(S) Open Captions Screening - "Poetic License" ($29.00CAD): Having world premiered earlier in the festival, this comedy-drama was the feature directorial debut of actress Maude Apatow (daughter of Judd Apatow and Lesle Mann). The story followed a soon-to-be empty nester relocating for her husband's new job. As she attempted to settle in, her entanglement between two college best friends and their fight for her attention sparked the main theme of the film. It was cute, endearing, and sweet as it focused on the character trying to find her footing in a new environment. The pace was very good, the dialog was casual and fresh, and the cinematography was effortless. Sadly, there wasn't a Q&A after this screening. Gala Screening - "Peak Everything" ($29.00CAD): Whether I was drunk, tired, whatever, this film went way over my head, and I lost interest in it fast. Buttered Popcorn Regular Bag ($6.19CAD x2): The addictive aroma of freshly-popped kernels and hot melting butter sucked me in as always. Plus, no movie experience was complete without popcorn and candy (I had no candy...). Armed with only one smallish size to sell, I inhaled these early in the respective films. SERVICE All of this was based during the Toronto International Film Festival and not solely on the general on-hand staff. The online ticket sales were a breeze once you found a film that wasn't sold out. The "Rush Line" sales were quick once tickets were released, and every human being I dealt with from festival staffers/volunteers, ushers, to the concessions was nearly seamless - thank you! PARKING (Varied; N/A this instance): I was constantly in the area all day throughout the Toronto International Film Festival, so I simply walked. Otherwise, there were spots along the many main and surrounding streets, I believed onsite underground parking, some nearby structures, numerous public transportation options, and rideshares - 'nuff said! ATMOSPHERE, DÉCOR, AMBIENCE A fairly modern facade, the multi-level interior was beautiful with an old-school movie palace feel, various murals, gorgeous ornation, and bar/concession counters on each level. The seats were cushioned enough (no cup holders nor reclining seats), very good sound system, and slight auditorium seating so someone could've still blocked your view. My first Orchestra Row GG seat I had was a bit angled but fine, while my second Orchestra C Row M seat was really nice except for the cramped seats and tall person in front of me. There were low-incline steps which were easy to climb. Minimal natural lighting came through the lobby windows while electric ceiling lights filled in the rest. There were various monitors, no background music, but there was plenty of chatter all around. ATTIRE Totally casual, so I would normally be in a t-shirt, boardshorts, and flip-flops. OVERALL Princess Of Wales Theatre was a beautiful facility, any live performances would be a treat to see here, and I felt there really weren't any bad seats unless you were in the extreme angular areas. Everything ran smoothly, there weren't any real hassles, the concession prices were standard albeit a limited selection of offerings to eat while the ticket prices were elevated as was the norm for a film festival. The customer service was easy, friendly, and straightforward. I found very good value based on the prices, service, and experience noted above (TOTAL paid experience was around $70.00CAD BEFORE any discounts/tip). And, they accepted my credit card of choice... AMEX! 4.0 STARS

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    Princess of Wales Theatre - Row FF, Seat 31

    Row FF, Seat 31

    Princess of Wales Theatre - Hamilton

    Hamilton

    Princess of Wales Theatre - Ending sing along.

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    Ending sing along.

    CAA Ed Mirvish Theatre - Waiting for Water for Elephants ... seats are comfy!

    CAA Ed Mirvish Theatre

    4.0(84 reviews)
    0.9 kmDowntown Core

    I went to see last show of The Great Gatsby here. I have read the book and one of the film…read moreadaptations in high school. The play was great. I sat in the last row in the mezzanine section. I feel like sitting a little closer to stage (front-middle mezzanine or middle to back orchestra) would have a better viewing experience. The theatre actually has 2 entrances (Yonge St. and Victoria St.). The interiors are gorgeous. Staff and the customer service guy were great and helpful. They were able to heIp switching for the right date when I called about getting ones for the wrong date. Make sure to call them as soon as possible. I think there's a grace period to be able switch. Also, tickets would have to be the same price if you are switching dates and/or time. Even though I didn't get charged for switching, I have seen online that there is potentially a $15 fee for doing so.

    This historic performing arts center in Toronto Ontario Canada is known for hosting major musicals…read moreand plays. The entrance and lobby area is quite impressive with the grand staircase and chandelier. We were there to see Water for Elephants in this two tiered auditorium that seats up to two thousand people. We had great seats in the orchestra section. With a circus theme and a great story, it was very entertaining. The theater was opened in 1920 but had significant renovations completed in 2022.

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    CAA Ed Mirvish Theatre - Lobby near Yonge Street exit

    Lobby near Yonge Street exit

    CAA Ed Mirvish Theatre - Ed Mirvish entrance

    Ed Mirvish entrance

    CAA Ed Mirvish Theatre - Our new seats.

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    Our new seats.

    Royal Alexandra Theatre - Six | March 2024

    Royal Alexandra Theatre

    3.7(41 reviews)
    0.3 kmEntertainment District, Downtown Core

    As someone from out of town who enjoys theatre, I visit Toronto often to see relatives, and when I…read moredo, I always look to see what Mirvish productions are showing downtown. For some reason, I always seem to be drawn to the Royal Alexandra Theatre as four different productions I have seen in the last few years have all been there. From the physical layout of the theatre to the customer service of the staff, I have enjoyed my all around experience during each visit. I have been to the theatre with colleagues during a conference, with my sister, and with other family members over the last several years. I have sat in the balcony, front couple of rows, and further back in orchestra before, and every seat seems to be good. I often take advantage of the American Express reserved seat program to purchase a great seat not too far in advance once I have details of my travels. I have been completely satisfied with my experiences at the shows there! The Royal Alexandra Theatre is a Canadian historic landmark as the oldest continuously operating legitimate theatre in North America and the continent's first truly "royal" theatre, granted official letters patent by Edward VII entitling it to the royal designation, along with his permission to name it after his consort, Alexandra. It was built in 1907 and was Toronto's first steel-framed structure, one of the first air-conditioned buildings in the continent, and the first theatre to be considered fireproof. The Royal Alexandra Theatre is one of four theatres that is run by Mirvish. The facility is mask-friendly but by no means required. There are concessions and a coat check. It is generally accepted to arrive approximately 30 minutes before a show. If you arrive late, you may need to wait until an appropriate break in the show for you to go to your seat and not disturb other patrons. Mirvish Productions is Canada's largest commercial theatre production company. You can learn more about Mirvish and this theatre at https://www.mirvish.com. After all, it was Ed Mirvish who in 1963 purchased and saved the Royal Alexandra Theatre from demolition. I certainly recommend a Mirvish show in the Royal Alexandra Theatre for someone who enjoys theatre!

    Love this Theatre. Currently playing Juliet. Always have a good time here…read more The sears are comfortable and clean. The productions are outstanding.

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    Royal Alexandra Theatre
    Royal Alexandra Theatre - March 2024

    March 2024

    Royal Alexandra Theatre - Stage

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    Stage

    Historic Palace Theater

    Historic Palace Theater

    4.4(20 reviews)
    77.2 km

    Great old theater lovingly renovated back to its original beauty after years of neglect. Whether…read moreit's a movie, play or concert, this is a great venue.

    I've been trying to get into seeing more theater lately, and my visit has only confirmed my thirst…read more It had been about a decade since I visited to see Peter Pan, which I had recalled mostly fondly, so I texted a friend and bought tickets for the show. We arrived about half an hour early after stopping at Lake Effect for scoops. Who needs dinner and a show when tummy ice cream is involved? The theater also sells snacks as food and drinks from the outside are banned. We were greeted outside by a dapper gentleman who held the door for us to get into the lobby. Unlike other theaters, there was elbow room to have them check out printed tickets and make conversation about the show. Others had digital tickets that seemed to work as well. We popped into the loo, which thankfully had multiple stalls, hardly any wait and was fully stocked with soap and towels. There were people selling souvenir toys and raffle tickets that we bypassed to find our seats. The playbill girl gave us a rough estimate of where we would be located. Thankfully everything is clearly labeled as to not get lost. For a mere 40 each, after fees, we were five rows back, centered. The view was clear, the sound was clear and the leg room- my gosh. For the first time in a long time a theater had room for me to stretch my legs a bit instead of cramming in more seats. The view is historically gorgeous in architecture and paint. Though we were there to experience the show, not just a building. The show started on time, held a brief intermission and concluded in about two hours. During that time, we got wowed by talented singers, very acrobatic dancers and mostly talented actors. (There was one that we would have probably chosen a different person to portray the roll, but I'm not going to crush a child's dreams when they did adequately. And others filled their rolls amazingly so I'm chalking it up to personal preference.) The costumes are well constructed without being extravagant. Tiny shorts cover any areas that would make this child friendly show receive an R rating. At the end, after all the standing ovations, we were able to exit with ease and get back to the car, parked at no cost in a nearby lot. Beat that Buffalo parking. Extra shout-out to whoever put the dual drummers in the loge to let us see the masterminds at work. They were the heartbeat of the show for me!

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    Historic Palace Theater
    Historic Palace Theater - White Christmas

    White Christmas

    Historic Palace Theater

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    Roy Thomson Hall

    Roy Thomson Hall

    4.0(63 reviews)
    0.1 kmEntertainment District, Downtown Core
    $$$

    Twoset Violin was the most recent concert I have been to at Roy Thomson Hall. The 4 previous times…read morewere school related assignment and field trips. Roy Thomson Hall was pretty easy to get to by public transport. The closest train station is St. Andrew with exits that lead towards the Hall. Staff were friendly and helpful. Though the prices might be pricey, the concert was fun and enjoyable. It was great to hear some classical music and Twoset Violin live.

    (Attended 09/10/25 WE @ 9:00pm): Oh boy, this was a beautiful hall!…read more More than halfway through the 50th Toronto International Film Festival and I finally had my one and only film screening at the Roy Thomson Hall. One of five venues used to showcase films during the festival, this large single-screen venue showcased some of the gala premieres with an approximate capacity of 1,700+ assigned seating. Prior to its opening in 1982, this concert hall was formerly known as the New Massey Hall before officially being named Roy Thomson Hall with a generous donation by the family (founder of the publishing empire Thomson Corporation) towards the construction efforts. With a noted seating capacity of 2,630, this multi-purpose venue was home to the Toronto Symphony Orchestra (it featured a pipe organ), annually used by the Toronto International Film Festival, and various other events. Designed by Canadian architects Arthur Erickson and Mathers and Haldenby, its circular architectural design exhibited a sloping and curvilinear exterior. Was this performance hall a good option to screen films!? PURCHASE(S) Regular Screening - "Two Pianos" ($29.00CAD): The world premiere of this French ("Deux Pianos") film with English subtitles, the story followed the career of Mathias (François Civil), a virtuoso French pianist who lived in Asia for many years and returned to his hometown of Lyon to experience an impossible love story. As fine as I'm sure the picture was, I felt my long day of brewery crawling, minimal food, and the later time of this screening didn't help with my enjoyment. The story was intriguing, but the pace was very slow, the dialog was methodical, and the subtitles started to wane on me. And, the cast and some crew did a Q&A after the movie. Buttered Popcorn Regular Bag ($9.75CAD): Ravenous for something to eat, the addictive aroma of freshly-popped kernels and hot melting butter sucked me in. Plus, no movie experience was complete without popcorn and candy (I had no candy...). Armed with only one size to sell, I devoured this early in the film. 2pc La Petite Bretonne Chocolate Oat Cookies ($3.50CAD): An odd choice, but a good one nonetheless. Two soft-batch cookies that broke apart easily and dissolved in your mouth, I wished I had some hot tea to go along with these. SERVICE All of this was based during the Toronto International Film Festival and not solely on the general on-hand staff. The online ticket sales were a breeze once you found a film that wasn't sold out. The "Rush Line" sales were quick once tickets were released, and every human being I dealt with from festival staffers/volunteers, ushers, to the concessions was nearly seamless - thank you! PARKING (Varied; N/A this instance): I was constantly in the area all day throughout the Toronto International Film Festival, so I simply walked. Otherwise, there were spots along the many main and surrounding streets, some nearby structures, numerous public transportation options, and rideshares - 'nuff said! ATMOSPHERE, DÉCOR, AMBIENCE From the outside to the inside, this rotund facility was beautiful, the seats were cushy (no cup holders nor reclining seats), very good sound system, and auditorium seating so no one blocked your view. However, the Balcony Left seat I had wasn't the best viewing because of the angle and height. There were several pocket concession stands throughout, some bars for libations, in addition to a decent-sized lounging area. There were low-incline stairs which were easy to climb. Plenty of natural lighting came through the large surrounding windows while electric ceiling lights filled in the rest. There weren't any TVs nor any background music, but there was plenty of chatter all around. ATTIRE Totally casual, so I would normally be in a t-shirt, boardshorts, and flip-flops. OVERALL Roy Thomson Hall was a gorgeous facility, any live performances would be a treat to see here, but there were some areas such as the balcony left and right sections that made it a bit difficult to fully enjoy a film. Otherwise, everything ran smoothly enough, there weren't any real hassles, the concession prices were standard albeit a limited selection of offerings to eat while the ticket prices were elevated as was the norm for a film festival. The customer service was easy, friendly, and straightforward. I found very good value based on the prices, service, and experience noted above (TOTAL paid experience was around $44.00CAD BEFORE any discounts/tip). And, they accepted my credit card of choice... AMEX! 4.0 STARS

    Photos
    Roy Thomson Hall
    Roy Thomson Hall - Decent view

    Decent view

    Roy Thomson Hall - Inside view from section L6 during TIFF.

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    Inside view from section L6 during TIFF.

    Toronto Symphony Orchestra - theater - Updated September 2026

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