[Non-Photo Review] For full review, please click here: http://wp.me/pwXBH-1ag IT'S TECHNICALLY DELICIOUS Summary:Heston Blumenthal's first London restaurant has set the UK's food media into a frenzy. And with some good reason the food is pretty good. In a similar vein to the Fat Duck, there is a lot of work that goes into the creation of each dish both intellectually and in terms of the technical skill required to consistently replicate each deceivingly simple dish on a much grander scale than any of his Bray outposts. The kitchen generally pulls it off, and the service seemed to be pretty spot-on when we dined there (though we were at the chef's table, so you would expect nothing less). Don't come expecting the dramatic culinary theatre that Heston is famous for at the Fat Duck and on many of his TV programs as the dishes here are far more straightforward in their presentation, with a few exceptions. With a windowful view of Hyde Park thanks to the newly installed floor-to-ceiling windows and its very own Swiss watchmaker-fashioned rotating gas-fired rotisserie for pineapples, it's definitely worth trying when in London. Much ado about something The only way I could actually score a table at what was then being billed by most as the hottest restaurant opening in London in a long time, and by some as the best new restaurant in the world (which was probably taking things a little too far), was to book the chef's table. When I enquired, I found out that there is technically no fee for booking the table, but there is a minimum spend of £900, which can be split amongst up to six guestsso definitely the more the merrier. The £150/person price, in the case of six, pays for the tasting menu, which enables you to sample much of the à la carte menu. Drinks and service will cost extra. One small point, which relates smaller people. We wanted to bring our daughter with us (who at the time was nine months old), and although this seemed to present a problem at first, the issue was eventually resolved (indeed, there had been no issue in the first place but we seemingly had been misinformed the first time around), though not without some time and effort. In any case, I will assume for the benefit of most readers that you know who Heston Blumenthal is (if not, see my previous review of his Michelin 3-star restaurant in Bray), and that you know that 'Dinner' is his first restaurant in London. You can read about the word play a typical example of Heston's historical whimsy on the restaurant's website or in many of the other reviews out there. Apparently, the Mandarin Oriental, in which the restaurant is housed, insisted that they use his name on the masthead, even though he personally will not be the chef at the restaurant a fact he has been refreshingly transparent about from the beginning. Heston's right-hand man, Ashley Palmer-Watts is in charge of quite literally a small army of chefs (there are more than 40) and kitchen staff, most of whom remain cleverly shielded from the restaurant's customers, who are likely none the wiser. There are 126 covers at Dinner, which makes it by far the largest of Heston's restaurants the Fat Duck only has about 40 covers by comparison, and his two pubs in Bray (the Hinds Head and The Crown) are also far smaller. The part of the kitchen that is visible to diners is open, though mostly covered by a sheet of glass that comes down from the ceiling. There are two large islands in the kitchen, which were custom-made by Rorgue, that utilize multi-point induction hobs. As many readers will already know, Heston is well-known for using the sous-vide (or 'water bath') method for cooking many of the proteins in his dishes, and there are correspondingly seven large built-in water baths in the main kitchen itself. There is also a Josper oven, which can reach temperatures of over 930° F, which is used for the beef dishes. In addition to all of this, there is a pastry kitchen, which is more or less hidden behind the chef's table, and there are more prep kitchens located out of site in the bowels of the hotel. The design of the restaurant is pleasant enough, without demanding your attention. But once you begin to look around, you do notice that in true Heston style, no detail in this Adam Tihany designed room has been left unconsidered. The space is very open, with high ceilings and floor-to-ceiling windows that were newly installed with the changing of the restaurant's guard. Brown and gray hues dominate the lower reaches, with wood flooring, unadorned wooden tables, and classy cushioned banquettes. Then there are the oft-noted jelly mold (or possibly cake mold) lamps and the Swiss watchmaker Ebel-designed chrome and steel pulley-operated rotating gas fire rotisseriefor what else but pineapples. The front of house is also smartly attired in well-tailored suits and waistcoats. Being at the chef's table, we had the benefit of each course being presented by the head chef himself. The table read more