Great venue! Small intimate theatre. I've seen many shows here through the years. Live performances…read moreat it's best. You really can't go wrong with any of their shows. I had the pleasure of seeing Hugh Jackman here, up close and personal. Loved it!! Restroom are in the basement; no elevators. Professional and very pleasant staff!

Saw sexual misconduct of the middle class starring Hugh jackman. It was a really great show and I…read morewas surprised by how much I liked it. Seats are ok. It's pretty small so visibility even in the back is good. Unfortunately if you're upstairs if you sit across from the stairs you're going to have to climb over everyone if you want to get down to the bathroom. At least it was clean and big.

Walking past the illustrious Studio 54 -- long-since closed -- we headed to 314 W. 54th Street to…read moresee one act plays at the American Theater of Actors. The historical significance of the building wasn't lost on me. The Renaissance Revival style building, completed in 1896, was designed by renowned architect John H. Duncan for the Seventh District Police Court. In addition to townhouses on the upper eastside, Duncan designed what's known as Grant's Tomb, as well as the spectacular Soldiers and Sailors Arch in Grand Army Plaza (America's version of the Arche de Triomphe.) Having seen the building's one-star reviews, I have to think that major issues -- ie antiquated electrical systems -- have been resolved. The bathrooms were clean and short of not knowing where to go when we arrived, we had no issues. There are stages on both the second and fourth floors. Informal set up, somewhat makeshift and a definite throwback to productions I used to find in the Village Voice (the print version sadly shuttered and gone.) Our production was in the fourth-floor theater. It was pretty much 'sit where you want', and small enough that even the worst seat in the house is good! Talented cast, thought-provoking and topical subjects -- an interesting and well-spent afternoon.

This venue should be shut down. This review is for producers, cast, and crew looking to use this…read morespace or are facing an uncertain run at this place against your will like many of us. To customers considering seeing a performance here, please know this is, otherwise, a typical NYC off-Broadway utility theater space that is actually quite comfortable and ultimately offers a nice palette for a qualified crew to stage a decent production. Please don't hesitate to support companies putting on their events here as the issues below are not the fault of visiting productions. The management of this place is seriously apathetic about bad safety issues everywhere. Our production run in May 22 resulted in three crew members sustaining various levels of electrical shock from improperly maintained and deployed electrics systems (specifically, failing over-voltage stagepin under carpet making full-power contact with a metal catwalk surrounding the stage). It took our production from an ambitious start to running with a skeleton of our resources from equipment damage, crew injuries, and safety plan implementation just to get the job done - all without any recognition, help, or worry from the house. The owner of the space - who likes to act like his own assistant on the phone - will blame everyone but himself and then drag you to see an old poster from a production in the 70s and say "if it was good enough for Dennis Quaid it should be good enough for you". And that's the attitude here. There truly is a fundamental disconnect in how management here approaches real world issues - just because the space has had some successful productions over its history doesn't mean that allowing it to fall into disrepair and poor technical maintenance is fine. And to gaslight visiting crew about it isn't good, either. Also - the owner tries to advance production and becomes very protective over any gear in the space that comes with the rental. Despite nothing in the space being truly usable for a modern-day production, he will insist you try to use his equipment and then bully you about why you're bad at your job because it doesn't meet your needs. For example, when advancing audio, up until the load-out day at the theater he insisted his "24 channel digital board" was good enough and it was because I wasn't good at my job I couldn't use it. No, sir, an analog Behringer Eurorack with 20ish functioning channels and no outboard equipment isn't suitable for my musicals with over 30 inputs. And he insists something is "digital" if it accepts electricity which makes getting the truth out or what they have available hard to get until you see it yourself. Last I heard the horrifying power problems were dealt with by a qualified electrician, but knowing the issues were allowed to get to that point in the first place, and that our production was one of many that got screwed by this venue, I advise looking elsewhere until a new owner takes over. The bones are good.

Attended a 7pm Tuesday performance with pie tasting beforehand…read more I've seen many live performances, from big names on Broadway to small productions, but this experience will forever hold a special place in my heart! To start, the Barrow Theater is a small, intimate space. At a first glance, the performance area reminds you of an old fashioned cafeteria--heavy, wooden tables and benches situated in rows across the entire space. You get very close and personal with your neighbors, as the public is sat in a way that allows close interaction with performers during the show. There is a mezzanine with additional seats as well. That seating is somewhat uncomfortable. The wooden benches reminded me of church pews--very narrow seats that will ensure your posture is straight and rigid throughout the entire performance. Not the most comfortable of seats, so those with back issues, consider this when reserving seats. It's not a problem for younger audiences. For older folks or anyone with back/neck/leg problems, recommend reserving a seat in the main (orchestra?) seating area. The show lasts 2.5 hours with one 20 minute intermission, so prepare your behind for a lot of seating on rigid, wooden benches. Before seeing the performance, you have an option to try their famed pies. The website mentions that a former White House chef is responsible for those pies. After trying them, I became a believer! My expectations were pretty low [I'm not a fan of pies], but the vegetable pie blew my mind. Seriously spectacular! Better than meat ones. Do your taste buds a huge favor and order the vegetable pie. The dough was flaky and flavorful. Crispy shell (with shaved, golden parmesan baked on top), chewy texture on the inside. The vegetable medley was fantastic--sooooo much flavor, I couldn't believe cooked veggies could be that delicious! Rainbow carrots, marsala, shallots, artichokes, brussels, wild mushrooms, cheddar cauliflower and parmesan make up the pie filling. Every pie is served with potato mash with shaved truffles. I don't eat mash, but that one was delicious--shaved truffle was a perfect touch to add fragrance and that extra punch to creamy potatoes. The portion filled me up. Very hearty. Consider this for your dinner--you won't regret the experience! The show takes place on the first floor, where you were just eating your pies. The actors make perfect use of the limited space. Live band is playing in the corner. Actors get close and personal with the audience, dancing on tables and engaging you throughout the entire two and a half hours. Definitely didn't expect such intimate experience! Honestly preferred it to the big Broadway theater layout, because I got much more enjoyment out of being so close to (and almost in!) the performance. Nothing beats being in the same space as the performers--you feel engulfed in the atmosphere. Totally captivated. Like you are living through the story along with the actors. The performers were brilliant. Just spectacular--the sheer talent in that small space was overwhelming in the most magnificent way. I left without words--I was so impressed with what I've experienced that I couldn't even express my delight. Every performer was a true character. The songs, the live music, the acting, the masterful use of small space and décor--everything was top notch. Some scenes almost made me cry, some spooked me to the bone. Traveling back home around 11pm, I felt a chill running down my spine as I remembered some powerful and dark moments from the performance. Hours after the show I still felt its' after effect. Now, that's what an absolute success of a show feels like! A must for any and all live performance enthusiasts!!!

Accessible via the 1 train to Christopher St. or A/C/E/B/D/F/M to W 4th St…read more Barrow Street Theatre, which is located inside the Greenwich House, is small in size but big on heart. The same building also houses a nursery school, among other things. The front desk in the center of the lobby has a check-in clipboard for visitors as well as some publications. The right wall has glass cases of memorabilia on display and for sale and a corner office that serves as the box office. The opposite wall has a staircase to the upper mezzanine, as well as another corner room that serves as both bar and coat check. After I picked up my ticket, I was able to use the men's room upstairs (two sinks, two toilets, and two urinals). The lobby employees dressed as pie-shop workers are pretty friendly: not sure if they were in character or just being cordial. The Sweeney Todd seating arrangement consists of five (six?) wooden tables & benches (seating 12 each) positioned perpendicular to the stage, and 3-4 rows of tiered upper and lower mezzanine seats in the back of the room. I was fortunate enough to score a seat at one of the benches, and my neighbors and I were instructed to keep the tabletops clear at all times because "anything could happen". As you have probably heard, the actors move all around the room during the course of the show, even appearing in the balcony a few times. Regardless of where your seat is, you'll need to turn your head to see all of the action. Despite being closer to the action, I confess that I found the table seating extremely awkward: I spent the entire show with my torso twisted 45 - 90 degrees and trying to avoid direct eye contact with the girl sitting across the table from me. People sitting at the tables closest to the front will be the primary and most obvious targets of audience participation, e.g. when I saw the show, Mr. Todd screamed at an audience member in the front to move so that he could sit the beggar woman down and properly fake-murder her. This and two other instances were the only I observed where a direct response from an audience member was required. If you get serenaded by the beggar woman or Mr. Todd himself, you can for the most part just enjoy the eye contact without having to do much else. To give you an idea of how close the actors get to the audience: I got to see Anthony's boots up close and feel the fabric of Johanna's dress (not by choice) while they were at my table. The pit is a 3-man group of clarinetist, violinist, and pianist (who also blows the tin whistle when a character is murdered). The lobby is just barely large enough to contain the entire audience during the 15-minute intermission, so I recommend walking around the block (away from the smokers and construction) instead of slowly suffocating inside. I didn't have to pee during intermission, so I can only guess how horrible the lines for the restrooms must have been. Interestingly, programs (non-Playbills) are placed on tables the lobby at the end of the performance, rather than given out before the performance. I was fortunate enough to see most of the original company (minus Brad Oscar). Most of the principals in the current cast will be departing the show later this month, starting with Norm Lewis on 8/14, so if you still want a chance to be within spitting distance of any of them while they're still together you have about 2 weeks before the cast gets reshuffled.

Came to watch 2 artists at this location. The location itself is beautiful and full of history…read more The people were friendly and it wasnt hard to find. I did bump it one star because after the show there were many strangers loitering the place (who were not there for the event).

Nice intimate theatre setting to see a play. All of the seats are good unless you have someone tall…read morein front of you whose also wearing a hat. Space can get a little bit chilly - bring a sweater, scarf, or a light jacket.

This organization is one of the finest I have ever dealt with. Last year my son sustained a sports…read moreinjury and we needed to find a camp quickly so we called Applause New York. From the first phone call I knew this was the place for us. The staff is amazing beyond words - always willing to answer a question or help out in any way they can. Since joining the camp my oldest has gone on to perform in two of their shows and is doing the program again this year as well as the camp. Our youngest son joined the camp this year and he is already talking about signing him up for the whole summer next year. He will also be doing a movie making class this year which is something he began to love through camp. We have had the opportunity to work with talented and extremely professional individuals who have mentored my oldest son. They have transformed my boy into a very confident performer. There are not enough stars to rate Applause. The counselors are exceptional and they make the days fun and my boys feel supported and loved every day. Each person you deal with is nicer than the next. Audrey has built more than a business, she has created a place that nurtures, encourages and helps develop children to reach their ultimate potential. She has built a home away from home and we are happy to be part of the Applause family. If your child has any desire to act, sing, dance or just have a blast - this is the place to go!

BEWARE!!!!! Do not sign up for these classes until the absolute last minute possible and be very,…read morevery sure that your child is going to respond well to the method of teaching and class dynamic. BE VERY, VERY sure. You will hear that "spots are going fast", and the "class is almost full". If you sign up you will never get a single penny back if your child has an injury or medical condition that prevents them from participating (see above), or the class is not the right fit, or if you have a family situation that arises and prevents your child from attending. There are no exceptions. Expect no compassion. Once you send in the your payment, regardless of any ethical or legal requirements for a refund, you will not get it, and the classes are quite expensive.

I'm reminded of the off- and off-off Bway performances I attended in the 1970s, which I found in…read morethe iconic "Village Voice." Well, the "Voice" is now defunct (boo hoo) but similar type productions are offered by Theater Extras. For $99 a year and a $5 per ticket co-pay, you might find performances you likely wouldn't have heard of otherwise. I'm not always in NY, but when I know my schedule, I pull up the site to see what's offered. It's worth checking often. Now and then there's a Bway show -- these passes go fast -- and lectures/concerts at the 92nd Street Y. Most often you'll find shows (including musicals) that are sort of obscure. If you're a nightbird there are frequent jazz performances, second set, starting past 10:00. Entertainment in restaurants and clubs have criteria i.e. $25 per person minimums. You'll know the requirements on the Theater Extras site before you book. $99 entitles subscribers to a maximum of two tickets per booking. The way I see it, if you use Theater Extras even a handful of times, you're getting your money's worth.

Great performance had to see it twice once was not enough all the performance were amazing and kept…read morethe audience on the edge of their seats

The Irish Center is a wonderful addition to our community and especially our seniors…read more Thank you to all that donate to our Wednesday lunch, the movies, etc. It is all greatly appreciated. Thank you for all that you do for us.

The New York Irish Center is a great way to stay connected to the Irish community. I've seen great…read moreIrish movies and movies that loosely connect to Ireland. I like that the center is laid back and they have some really fun ways to engage the community. They offer a ton of activities and show a bunch of different movies throughout the year. I wish I had found the center years ago. They really do cater to all types of interest in the Irish culture.

Long time fan of Shakespeare in the Park! We've been coming for years! The revitalized Delacorte is…read morewonderful!!

Shakespeare in the Park is such an amazing free experience in New York. The upgrades at this…read moretheatre this year are really top notch--good seats, stage design, lighting. Saw a mesmerizing production and am watching the lottery already for the next one. Get the picnic dog at concessions!